Sección central e inflexiones
Lesson time: (3min 18sec)
Course preview
This lesson is part of the course Toca trompeta rock auténtica
Watch a preview of the full course below.
Lesson transcript:
Music Lesson: Inflections and Phrasing
So now let's add that phrase and carry on to the next phrase, going right up into the middle section where we'll talk about some other inflections and phrasing.
Count Along
1, 2, 3.
Understanding the Phrase
In the third line down, the phrase that I played there, you'll notice that on the third beat,
- The push into the third beat
- The quaver on the second hand
You'll notice there's a little line underneath that. Mark Nightingale's written that it could mean:
- A bend
- A little slide up to it.
Again, this is kind of your artistic license as to how you want this piece to sound.
Example Bends and Slides
I did a bend like this:
- We could do a little kind of grace note slide into it there.
I use my valves playing a tone lower:
- For the G sharp, I went F sharp, G.
- For the next note, I did E to the F sharp.
Practice Tips
You can practice that:
1, 2, 3, 4.
And speed up the way that we use the valves. So you've got two different flavors:
- You can add the valves, like we just did then,
- Or the bending of the note.
Listening to Techniques
Let's hear the bend one more time.
In another lesson, we talked about how we bend notes. We can bend notes by using our air stream. The way the tongue affects the air stream:
- If we raise the tongue in our mouth, generally the air coming over it will be faster.
- Since the tongue is higher in the mouth, it compresses the air.
Example of Compression
You see, if you can make a noise like that. If I do that whilst I'm blowing the trumpet, this is what happens.
As you can see, my range goes way up in the sky because I'm compressing the air faster. Air means a higher note.
About the instructor

Mike Lovatt estudió en el Trinity College of Music, donde recibió la Jon Kelly Jazz Scholarship. Ha actuado y grabado en una enorme variedad de estilos con artistas como Quincy Jones, Robbie Williams, Eric Clapton, la Orchestra of the Royal Opera House Covent Garden, la Royal Philharmonic Orchestra, Michael Buble, Oasis, Michel Legrand, Tony Bennett, Shirley Bassey y Danny Elfman, entre muchos otros. Como trompeta principal en el West End de Londres, Mike ha actuado en Jesus Christ Superstar, Evita, The Producers, Billy Elliot, Guys and Dolls, Saturday Night Fever, My Fair Lady y Spamalot, entre otros. Ha tocado en bandas sonoras de películas como las de James Bond, Harry Potter con la London Symphony Orchestra, la premiada Chicago, Beyond the Sea de Kevin Spacey, Charlie and the Chocolate Factory, Madagascar y The Corpse Bride. Aparece a la trompeta y la corneta en Mrs Henderson Presents de George Fenton, y a la trompeta en Looking for Eric. Mike es trompeta principal de la John Wilson Orchestra, nominada a un Grammy, y ha destacado en sus célebres conciertos y grabaciones de los BBC Promenade. Mike es muy solicitado como profesor y clínico, y es catedrático de trompeta en la Royal Academy of Music y en el Royal College of Music. En abril de 2013 tuvo el orgullo de recibir la prestigiosa Derek Watkins' Chair of Trumpet en la Royal Academy of Music de Londres. En sus cursos de MusicGurus, Mike comparte los secretos de su versatilidad, mostrándote cómo clavar los estilos de trompeta auténticos de swing, rock y latino para que puedas tocar cualquiera de ellos con confianza y el feel adecuado. read more




