Bends de inflexión

Mike Lovatt
Mike Lovatt

Lesson time: (3min 7sec)

Mike Lovatt añade garra a la trompeta rock con bends, un deslizamiento perezoso hacia una nota que da a tu forma de tocar ese aire bluesy sucio y descarado.

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This lesson is part of the course Toca trompeta rock auténtica
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Lesson transcript:

Adding Grit to Your Sound

Now we're starting to get all the shorts and longs sorted out. It's beginning to sound really rock and bluesy. But how can we get some more down and dirty grit into it?

Introducing Inflections

We can achieve that by using what we might call inflections. They can be all sorts of things, effects that create a different kind of sound and transport us to a different place.

Listening Exercise

Let's listen to me play the first phrase, and I'll add some inflections. See if you can spot where those are.

Counting In: 1, 2, 3, 4.
1, 2.

Could you tell where they were? I'll do it one more time:
1, 2, 3, 4.
1, 2.

That one was quite obvious right at the end of the phrase. I did what's called a bend into that note. It's like a kind of lazy way of getting into the note.

Practice the Bend

Follow my lead:
1, 2, 3, 4. Bodie.

So how do we do a bend? Well, there are different ways.

Using the Valves

One way is to use the valves. Normally, when moving from that G sharp at the end of the third bar, we would press the valves down like this:

  • We go from 2 and 3 to 1 and 2.
  • We move the valves quickly, pressing them down quickly so the note transitions smoothly.

But in this instance, we want to create a kind of glisten, a nice little bend into the note.

Try it: Be lazy with the changeover of the valves. I was a bit too lazy that time. Let's try again. You have a go!

Bending with Air and Tongue

There's another way we can bend notes: by using our air stream combined with our tongue, changing the mouth cavity to facilitate the bend.

I'll demonstrate that now, and then you'll be able to experiment to see if you can do it!

About the instructor

Mike Lovatt
Mike Lovatt

Mike Lovatt estudió en el Trinity College of Music, donde recibió la Jon Kelly Jazz Scholarship. Ha actuado y grabado en una enorme variedad de estilos con artistas como Quincy Jones, Robbie Williams, Eric Clapton, la Orchestra of the Royal Opera House Covent Garden, la Royal Philharmonic Orchestra, Michael Buble, Oasis, Michel Legrand, Tony Bennett, Shirley Bassey y Danny Elfman, entre muchos otros. Como trompeta principal en el West End de Londres, Mike ha actuado en Jesus Christ Superstar, Evita, The Producers, Billy Elliot, Guys and Dolls, Saturday Night Fever, My Fair Lady y Spamalot, entre otros. Ha tocado en bandas sonoras de películas como las de James Bond, Harry Potter con la London Symphony Orchestra, la premiada Chicago, Beyond the Sea de Kevin Spacey, Charlie and the Chocolate Factory, Madagascar y The Corpse Bride. Aparece a la trompeta y la corneta en Mrs Henderson Presents de George Fenton, y a la trompeta en Looking for Eric. Mike es trompeta principal de la John Wilson Orchestra, nominada a un Grammy, y ha destacado en sus célebres conciertos y grabaciones de los BBC Promenade. Mike es muy solicitado como profesor y clínico, y es catedrático de trompeta en la Royal Academy of Music y en el Royal College of Music. En abril de 2013 tuvo el orgullo de recibir la prestigiosa Derek Watkins' Chair of Trumpet en la Royal Academy of Music de Londres. En sus cursos de MusicGurus, Mike comparte los secretos de su versatilidad, mostrándote cómo clavar los estilos de trompeta auténticos de swing, rock y latino para que puedas tocar cualquiera de ellos con confianza y el feel adecuado. read more

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27 lessons (0h 54m)
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