Trompetas mexicanas
Lesson time: (3min 41sec)
Cómo imitar en el violín el sonido de las trompetas mexicanas gemelas de clásicos country como Ring of Fire, tocando líneas de armonía separadas por una tercera o una sexta.
Course preview
This lesson is part of the course Fiddle de bluegrass y country moderno
Watch a preview of the full course below.
Lesson transcript:
Exploring Mexican Trumpets in Country Music
An interesting feature of some country music in the 50s and 60s was the appearance of Mexican trumpets. If you listen to songs such as El Paso by Marty Robbins and Ring of Fire by Johnny Cash, you'll know what I mean.
Trumpet Harmony
This style usually has two trumpets playing in harmony, either a third or a sixth apart.
- If you happen to play one of these songs, the chances are you're not going to have two trumpets in the band.
- Therefore, you will be required to sound like two trumpets, which can be quite fun.
- This feel will also work in a lot of other songs.
The Scale of Sixths
One important concept to understand is the scale of sixths.
- For the key of G, the scale starts on G with the B below it.
- As the upper scale goes up, the lower scale goes up at the same time.
It will sound like this, both going up and coming down.
If you spend a few weeks learning this scale and memorizing it, you'll find it extremely useful for harmonizing without needing to think about it.
- Once your fingers know where to go, if you play a melody, your fingers will automatically know how to put the harmony in.
- This makes it really worth spending time on.
Triplets and Full Sound
When it comes to Mexican trumpets, my knowledge of mariachi might be quite limited, but I believe there are a lot of triplets involved.
- What we get is a big, full sound that is easier to achieve than it seems, provided you've mastered those double stops in the scale of sixths.
Assignment
Let's hear that with the backing for your assignment.
Try working out a similar trumpet part for:
- Red River Valley
- Yellow Rose of Texas
About the instructor

Chris Haigh es violinista profesional desde hace 25 años, con experiencia en muchos géneros distintos. Ha tocado en más de 75 álbumes, trabajando con artistas como Alison Moyet, Bob Geldof, All About Eve, Michael Ball, David Soul, Oumou Sangare, The Quireboys, Riverdance, Morcheeba, James Galway y Steps. Ha tocado swing y jazz con The Kimbara Brothers, Diz Disley, Le Jazz, The Hot Club of London y los Quecumbar Allstars, y lidera una banda de swing soviético de siete integrantes, The Kremlinaires. Chris imparte clases y talleres sobre técnica de violín de jazz y ha enseñado violín de jazz en las universidades de Middlesex, Brunel y Newcastle y en el Truro College. Entre sus créditos como autor figuran nueve libros de violín, entre ellos The Fiddle Handbook. También dirige Fiddling Around (fiddlingaround.co.uk), probablemente la fuente de información sobre violín más completa y visitada de la red. read more




