Honky Tonk: Walking Fiddle

Chris Haigh
Chris Haigh

Lesson time: (5min 38sec)

Lesson transcript:

Honky Tonk Fiddling: The Walking Fiddle Style

Continuing with the Hank Williams honky tonk style of song, we're going to look at the particular style played by the fiddler, Tommy Jackson. He was probably the most influential of the session fiddlers in Nashville at the time.

The Walking Fiddle Technique

Tommy Jackson had a style which Bob Wills referred to as the walking fiddle. This is a very interesting and worthwhile style to learn. The nature of this technique is that you:

  • Do double stops most of the time
  • Walk from one chord to the next

Walking Between Chords

For example, from a G chord, you walk towards the next chord:

  • From the G down to the D
  • Then from the D down to the G
  • And from the G down to the G7, then to the C

You are signposting each of the chord changes as they come, and it's really satisfying to do.

Sample Play

Let's hear that with the backing track. This creates a very smooth sound. It's ideal for playing behind the vocal; it doesn't get in the way, but it does add a lot in supporting the chords.

This technique does a very similar job to what the pedal steel does, filling out the sound.

Maintaining Movement

In the previous example, we were just walking from one chord to the next, pausing, then walking on. However, you can actually keep the walking going the whole time.

  • After reaching the next chord, you can find somewhere else to go.
  • Starting with the G chord, move to the second over fourth for the D chord.

So, we're walking the whole way through, it never really stops moving.

Understanding Chords and Double Stops

To be able to do this, you need to know what the chords are, at least subconsciously, even if not consciously. You must also know all of the double stops that would allow you to transition from one chord to another.

Let's hear that with the backing track.

Adding Melodic Fills

Finally, we can do something similar: walking from one chord to the next, but instead of keeping on walking, we can do a little melodic fill in the gap of the vocal.

In this case, we have a mixture of two approaches:

  • The simple walking
  • The little fill

You could do just the walking without the fill, or the fill without the walking. But it's really satisfying to do both.

Let's hear that with the backing track.

Your Assignment

For this, your assignment is to:

  • Listen to and choose a couple of Hank Williams songs that you like.
  • Work out the chords
  • Try to work out a double stop walking line to follow those chords.

About the instructor

Chris Haigh
Chris Haigh

Chris Haigh es violinista profesional desde hace 25 años, con experiencia en muchos géneros distintos. Ha tocado en más de 75 álbumes, trabajando con artistas como Alison Moyet, Bob Geldof, All About Eve, Michael Ball, David Soul, Oumou Sangare, The Quireboys, Riverdance, Morcheeba, James Galway y Steps. Ha tocado swing y jazz con The Kimbara Brothers, Diz Disley, Le Jazz, The Hot Club of London y los Quecumbar Allstars, y lidera una banda de swing soviético de siete integrantes, The Kremlinaires. Chris imparte clases y talleres sobre técnica de violín de jazz y ha enseñado violín de jazz en las universidades de Middlesex, Brunel y Newcastle y en el Truro College. Entre sus créditos como autor figuran nueve libros de violín, entre ellos The Fiddle Handbook. También dirige Fiddling Around (fiddlingaround.co.uk), probablemente la fuente de información sobre violín más completa y visitada de la red. read more

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22 lessons (1h 51m)
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