Lesson transcript:

Review of the Three Modes

We're now going to review the three most commonly used modes:

  • The Ordinary Major Scale
  • The Mixolydian Scale
  • The Dorian Scale

And we're not only going to play them; we're going to sing them.

Singing the B Flat Major Scale

Here's a B flat major scale. Try singing that:

Dooba dooba dooba doo bidoo doo wa.

Now, sing another phrase using the same notes but with a different contour, maybe starting on a different note.

Do be do badoo doo doo doo doo doo.

Just about. It doesn't really matter about your voice as long as you can hear some ideas.

Alternating Singing and Playing

Now we're going to do that several times, alternating between singing and playing. If you can do it in time with the backing track provided, which has a bass line you'll hear, and left-hand chords, you could be playing a left-hand chord:

Doobie doo doo doo doo doo doo doo doo.

Then, flatten the seventh so B flat seven in the left hand.

Do badoo badoo badoo.

There's your flattened seventh:

Do be doo doo.

Now, think up a phrase from that scale. Okay, but keep playing in the left hand and keep time.

Creating a Piece of Music

Try to make the whole thing like a piece of music where you alternate singing and playing, and you're trying to copy the phrases that you've sung.

Once you get the sound of the scale in your head, this makes it a lot easier.

Flattening the Third

Finally, we're going to flatten the third. This now fits the A minor seventh chord, B flat minor seven:

Do ba do.

Make sure you get the minor third:

Do badoo badoo badobi.

And the flattened seventh this time.

Okay?

You really need to hit that minor third and the flat seven confidently.

Recognizing the Scales

Learn to recognize the sound of those scales. Sing them! You can practice this sort of thing at the bus stop or when you're driving.

It doesn't have to be at the piano. Try it on a different note every day, for instance, as well.

Cycle of Practice

So do the three chords and the three scales. Sing and play them.

Maybe tomorrow, you might do it on F or go up in fourths. Do it on E flat.

Going around the cycle is the best way to learn all these scales and practice them in different keys.

About the instructor

Tim Richards
Tim Richards

Aclamado por la crítica, el pianista y compositor de jazz Tim Richards es uno de los educadores de jazz más experimentados de Gran Bretaña, y ha enseñado piano de forma privada durante más de 30 años, además de en el Morley College, el Goldsmiths College, la University of Surrey, Premises Studios y otros centros del Reino Unido y del extranjero. Ha producido numerosos títulos para Schott Music, entre ellos los superventas en dos volúmenes Exploring Jazz Piano, Blues, Boogie & Gospel Collection y el aclamado Improvising Blues Piano. También es coautor, junto con John Crawford, de Exploring Latin Piano y Brazilian Piano Collection.Más recientemente, Schott ha publicado Jazz, Latin & Modern Collection (15 piezas para piano solo), que reúne originales de Tim Richards junto a piezas de Duke Ellington y Thelonious Monk, y el estuche de dos volúmenes Beginning Jazz Piano (ahora un curso de MusicGurus en dos partes).“La verdadera alegría de la música de Tim… es que resulta a la vez enormemente didáctica y tremendamente divertida de tocar. Cualquiera con el más mínimo interés en aprender a tocar o a enseñar piano de jazz debería hacerse sin falta con una colección de los libros de Tim.” PianoDaoComo intérprete, Tim ha sido una presencia en la escena del jazz británico desde la década de 1980, tocando también el blues con leyendas del Reino Unido y de Estados Unidos como Otis Grand, Earl Green, Dana Gillespie, Larry Garner, Joe Louis Walker y Mojo Buford. Ha publicado más de una docena de álbumes como líder (con muchos de los mejores músicos de jazz de Londres, entre ellos Pete King, Gilad Atzmon, Tony Kofi, Jason Yarde, Seb Rochford, Ed Jones, Dick Pearce y muchos otros) y ha girado por toda Europa con formaciones que van del dúo al noneto. Su última grabación, el álbum ‘Telegraph Hill’ del sexteto Hextet, fue descrita en The Observer como "Una auténtica delicia de principio a fin". Puedes encontrar más información en su sitio web www.timrichards.ndo.co.uk read more

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25 lessons (1h 20m)
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