Posiciones de tres notas y shells
Lesson time: (3min 39sec)
Tim Richards presenta posiciones de acorde de tres notas y shells para piano jazz, mostrando cómo armonizar breves progresiones II-V moviendo una sola nota.
Course preview
This lesson is part of the course Piano jazz: armonía e improvisación
Watch a preview of the full course below.
Lesson transcript:
Love That Man - Music Lesson
The next tune, Love that Man, was actually inspired by the famous standard Lover Man, written in 1945. It has been played by countless musicians, including:
- Charlie Parker
- Sarah Vaughan
- Billie Holiday (who famously recorded this tune)
Key Features
- Tempo: Slow tempo with a kind of 12/8 feel.
- Chord Progressions:
- Short two-fives: D minor to G7
- G minor to C7 (bars three and four)
When you have these chord pairs, think of them as like brother and sister. You can play the same scale over both of them, but also try to move only one note.
Chord Shapes
Here's your D minor 7 root position. You don't need to go to the second inversion; you can keep the A in there and just move C to B.
- You may have noticed I was doing just that in the previous tune, G Minor Waltz:
- I wasn't putting the root in the dominant chord.
The equivalent can also be done in other inversions by just moving C to B.
- The seventh falls to the third:
- D minor, third inversion moves down to B, becomes G9 (first inversion).
Practice these shapes in your left hand as well. They are all four-note shapes, and it's quite effective to do something similar with three-note shapes too since the fewer notes you're playing, the further down the keyboard you can go.
Additional Techniques
- Here's my three, seven, three, and seven on the bottom:
- Seventh falls to third.
To make it a bit more jazzy, you would play the ninth on top of the D minor. This ninth is E, and if you keep that in, it becomes the 13th of the G chord.
These shapes are commonly used in jazz piano since the 1940s.
Final Shapes
Here's the final shape with the seventh on the bottom. Get familiar with these shapes and play them for G minor and C7 as well. You'll come across them again in the arrangement of Love That Man.
You'll also encounter the left hand played as shells, another style we've looked at already.
Left Hand Shapes for 2-5 Progressions
Here are the two possibilities for a 2-5:
-
C Major:
- Start with root and third.
-
Alternative:
- Start with root and seventh.
If you find C major to be a bit discordant, you could play C6 or both.
Summary
We will come across all these left-hand shapes in Love That Man. Just try to memorize these three-note configurations:
- D Minor: 3-7 root or 3-7-9
- G7: 7-3-5 or 7-3-6
About the instructor

Aclamado por la crítica, el pianista y compositor de jazz Tim Richards es uno de los educadores de jazz más experimentados de Gran Bretaña, y ha enseñado piano de forma privada durante más de 30 años, además de en el Morley College, el Goldsmiths College, la University of Surrey, Premises Studios y otros centros del Reino Unido y del extranjero. Ha producido numerosos títulos para Schott Music, entre ellos los superventas en dos volúmenes Exploring Jazz Piano, Blues, Boogie & Gospel Collection y el aclamado Improvising Blues Piano. También es coautor, junto con John Crawford, de Exploring Latin Piano y Brazilian Piano Collection.Más recientemente, Schott ha publicado Jazz, Latin & Modern Collection (15 piezas para piano solo), que reúne originales de Tim Richards junto a piezas de Duke Ellington y Thelonious Monk, y el estuche de dos volúmenes Beginning Jazz Piano (ahora un curso de MusicGurus en dos partes).“La verdadera alegría de la música de Tim… es que resulta a la vez enormemente didáctica y tremendamente divertida de tocar. Cualquiera con el más mínimo interés en aprender a tocar o a enseñar piano de jazz debería hacerse sin falta con una colección de los libros de Tim.” PianoDaoComo intérprete, Tim ha sido una presencia en la escena del jazz británico desde la década de 1980, tocando también el blues con leyendas del Reino Unido y de Estados Unidos como Otis Grand, Earl Green, Dana Gillespie, Larry Garner, Joe Louis Walker y Mojo Buford. Ha publicado más de una docena de álbumes como líder (con muchos de los mejores músicos de jazz de Londres, entre ellos Pete King, Gilad Atzmon, Tony Kofi, Jason Yarde, Seb Rochford, Ed Jones, Dick Pearce y muchos otros) y ha girado por toda Europa con formaciones que van del dúo al noneto. Su última grabación, el álbum ‘Telegraph Hill’ del sexteto Hextet, fue descrita en The Observer como "Una auténtica delicia de principio a fin". Puedes encontrar más información en su sitio web www.timrichards.ndo.co.uk read more




