Jumping Around (guía)

Con
Talia GirtonTalia Girton desglosa la pieza de interpretación 'Jumping Around', trabajando su síncopa y sus complicados cambios de posición de la mano por fragmentos.
Qué incluye el curso
23 lecciones (0h 33m) · 1 gratis
01. Qué son las notas ligadas
Lección gratis1:03

02. Ejercicio 1 de notas ligadas
1:00

03. Ejercicio de notas ligadas 1 (interpretación)
1:23

04. Ejercicio de notas ligadas 2
1:09

05. Ejercicio de notas ligadas 2 (interpretación)
1:03

06. Qué son las corcheas
1:25

07. Juego rítmico de corcheas
1:48

08. Ejercicio de corcheas 1
1:56

09. Ejercicio de corcheas 1 (Interpretación)
1:21

10. Ejercicio de corcheas 2
1:31

11. Ejercicio de corcheas 2 (Interpretación)
1:05
Transcripción de la lección
Performance Piece: Jumping Around
Let's have a look at the next performance piece, Jumping Around.
This is a massive step up from what we've done so far, so make sure that you really take your time. It might take you a bit longer to learn this one.
Understanding the Piece
- The first thing to notice is that the left hand is playing the same melody that we were just practicing in the right hand exercise, so you might recognize that part.
- I would break this down into very small chunks and start with the most tricky bits first.
Syncopation and Rhythmic Differences
If we look at the music, there's a lot of syncopation happening in the second line, and there's quite a different rhythm occurring between the right hand and the left hand.
-
The left hand repeats:
1 and 2 and 3 and 4 and -
The right hand repeats this in the rhythm bit:
1 and 2 and 3 and 4 and
1 and 2 and 3 and 4.
Make sure to pay close attention to the finger numbers so that you can help yourself get to those places that are a bit farther away on the keyboard.
Practice Tips
Let's have a look at what this would sound like after four:
One and two and three and four.
And one and two and three and four.
And one and two and three and four.
And one and two and three and four.
And one and two and three and four.
And one and two and three and four.
And one and two and three and four.
And one and two and three and four.
And one and two and three and four.
Be sure not to start that first line too quickly, because when you get to the second line, those eighth notes will really sneak up on you and feel quite fast.
Visual Cues
Another tip is to look at where the notes stack on top of each other. Remember that when two notes stack in the treble and bass clef, they're played at the same time.
You can use these kinds of visual cues to show you where the notes play together and where they're played separately.
Happy practicing!
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Conoce a tu gurú

Conoce a tu gurú
Talia Girton es músico y musicoterapeuta registrada en el HCPC, y fundadora de The Cycling Music Teachers. Su trabajo une la musicoterapia, el asesoramiento y la educación, y da clases a nivel internacional en el curso de formación en musicoterapia de la UDELAS en Panamá, además de contribuir al desarrollo profesional con la European Piano Teachers Association (EPTA). En MusicGurus imparte los cursos Piano Method y Piano Foundations, guiando a principiantes absolutos desde los primeros pasos a través del ritmo, ambas manos, la teoría y la interpretación.
























