Barré-Akkorde
Lesson time: (6min 15sec)
Course preview
This lesson is part of the course Rockschool Gitarre Grade 5
Watch a preview of the full course below.
Lesson transcript:
Discussion on Barre Chords
Okay, we're gonna have a little discussion about barre chords now. These can be a real challenge when you first look at them. I know a lot of people struggle, myself included. When I first started and was presented with a barre chord, it just didn't seem to work for quite a while.
Understanding Barring
What is Barring?
Barring is simply when you cover more than one string with one finger. A really small bar would be if I went on the third fret here and just covered the B and E strings. That's the smallest bar I could do, two strings. So, I'm using one finger to play two notes there.
Full-Size Barre Chords
With full-size barre chords, often what's required is covering all six strings with your first finger and then fretting some of the middle strings with other fingers to produce a chord. We're going to look at playing a chord you're probably familiar with already, which is G major, but as a barre chord instead.
It's a slightly different sound, but it's all the same notes, just in a different position.
Getting Started with the G Major Barre Chord
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The Bar
Place your first finger across all six strings. -
Sound Check
Before adding any other fingers, play the bottom string (E) and then the G, B, and E strings. You should hear no buzzes. -
Pressure and Angle
- Ensure you're applying even pressure with your first finger.
- Rotate your first finger slightly. Instead of applying it straight down, give it a little angle. This helps to avoid muting the strings with the ridges in your fingers.
Maintaining Pressure
Here's the tricky bit: you need to maintain that pressure, while adding your other fingers to create the full chord.
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E Major Shape
These other fingers form an E major chord. Practice this shape down the neck. -
Positioning
Move it up three frets and then add your bar at the end if you like.
Practice Techniques
Arpeggiation
A strong way of practicing chords is by arpeggiating them with the right hand. Whether you're learning a new chord, a barre chord, or any other, this technique ensures you've got a pristine chord, and all the notes you expect to hear are actually there.
Demonstration
If I strum this chord and then pick it, I can confirm that all the notes are there.
Sound Comparison
If you're not familiar with the sounds of these chords, you could be forgiven for thinking you've covered all the notes. However, if you check each string individually, you may find some notes aren't as clean as they should be.
Troubleshooting Muffled Notes
If the chord isn't clean:
- Position of your barring finger: Ensure it's straight with the frets.
- Pressure: Make sure you're applying enough pressure, especially on the top strings.
- Fingertips: Ensure your other fingers are on their fingertips. If they're flat, they'll start cutting each other off, creating a muted chord.
Hand Positioning
- Thumb Position: Keep it centered, perhaps in the top third of the neck.
- Wrist and Elbow: Both should be relaxed, with a nice air gap at the back to help maintain a good chord.
Caution
Lastly, be careful practicing barre chords for prolonged periods. If you're new, you might apply too much pressure with your barring finger, which can lead to discomfort.
Recommendations
- Practice a little bit often. Start with 5 to 10 minutes at a time.
- Take breaks and practice something else that doesn't involve barring.
- Come back to the barre chords the next day. With consistent practice, you'll see improvement over time.




