Window Seat – Erykah Badu (Analyse)
Stu Roberts nimmt das Rockschool-Grade-5-Stück 'Window Seat' von Erykah Badu auseinander, einen entspannten Neo-Soul-Groove bei 81 bpm.
Das steckt im Kurs
29 Lektionen (2h 38m) · 1 gratis
01. Hold The Line – Toto
2:49

02. Don’t Let Go (Love) – En Vogue
2:47

03. Window Seat – Erykah Badu
2:43

04. Chuck E’s In Love – Ricky Lee Jones
2:55

05. 444 – Jay Z
2:32

06. Hard to Handle – Otis Redding
2:39

07. Geek
2:27

08. Rollin'
2:39

09. Do Balanço
2:30

10. Tiberius
2:31

11. Smack Talk
2:25

12. Slam Dunk Funk
Gratis-Lektion2:38

01. 444 – Jay Z (Analyse)
10:51

02. Chuck E’s In Love – Ricky Lee Jones (Analyse)
12:28

03. Window Seat – Erykah Badu (Analyse)
Du bist hier11:46

04. Hard to Handle – Otis Redding (Analyse)
7:23

05. Hold The Line – Toto (Analyse)
13:24

06. Don’t Let Go (Love) – En Vogue (Analyse)
6:55

07. Geek (Analyse)
14:24

08. Rollin' (Analyse)
6:10

09. Do Balanço (Analyse)
6:22

10. Tiberius (Analyse)
8:16

11. Smack Talk (Analyse)
7:17

12. Slam Dunk Funk (Analyse)
4:49
Transkript der Lektion
Drum Lesson: Window Seat Grade Five Rock School
Hello, everyone, and welcome to our drum lesson on Window Seat Grade Five Rock School. This is a cool track with a kind of neo soul vibe. It's set at 81 beats per minute, which is at the slightly upper end of what we expect for a Grade Five student.
Key Points:
- Practice: Make sure you're practicing your stick control exercises to be comfortable at that tempo.
- Groove: You need to play a relatively complex groove with a relaxed feeling.
Tips for Playing:
-
Volume Control:
- Don't play too loud. Keep everything close to the drum and cymbals for a more relaxed sound with a consistent volume.
-
Grip Technique:
- I used traditional grip in my left hand and played in the middle of the drum.
- Use flat foot on the bass drum for a softer attack.
-
Dynamic Playing:
- Here's a quick demonstration. You might be tempted to play it physically like this:
- (Example demonstration)
- Instead, aim for a quieter volume with more dynamics.
Example Dynamics:
- 1, 2, a 3, a 4.
- You can hear that the beat breathes more, allowing for better control.
- Here's a quick demonstration. You might be tempted to play it physically like this:
Musical Context:
- If you're playing in a rock band, you might approach it differently, but for this neo soul track, keep it relaxed.
Practicing the Pattern:
- Two-Bar Repeat: Familiarize yourself with the symbol. It means to repeat the musical information from the previous two bars.
- Stay Patient: If you struggle, break it down:
- Practice under tempo.
- Take it one bar, then a beat at a time.
- Gradually piece everything together.
Journey of Improvement:
- Remember, being good at an instrument is a lifetime's journey. Don't be disheartened if you find certain aspects challenging at first.
Section Analysis:
- Bar 10: Two-bar repeat for familiarity.
- Bar 15: Look for time slashes and the word "develop." Playing the same groove with subtleties and variations can enhance the feel:
- Open hi-hat in various places.
- Accents on the edge of the cymbal.
- Adapt the bass drum.
- Sometimes, developing means simplifying or withdrawing elements.
Example Ideas for Development:
- Add a ride cymbal at times or create a relaxed vibe with subtle variations.
Drum Techniques:
- Some techniques involve:
- Closed Roll (Buzzed Notes): Using pressure on the stick for a buzz sound.
- Double Strokes: Specific quantities for rhythm.
- Experimentation: Let your sticks rest on the drum for effect.
Recording Practice:
- Record yourself with a metronome for 15 minutes. Analyze what compositional ideas worked and refine your approach.
Rehearsal Letter E:
- In bar 26 of the Rock School books, you'll find three quarter notes on the bass drum:
- Left foot on 2 and 4.
- A cross stick and rim click combination.
Dynamic Playing:
- In rehearsal letter F, maintain a forte dynamic. The subtlety in dynamics is essential for keeping the groove intact.
Additional Insights:
- An anacrusis at the beginning introduces the piece.
- Look out for a mixed subdivision snare drum fill in bar one with a hip-hop swing element.
Conclusion:
Listen to the original recording for reference, and enjoy working through this backing track. Take these lessons into other areas of music as well.
Thanks for watching!
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