Wie man übt
Lesson time: (3min 2sec)
Paul Elliott zeigt, wie man Schlagzeugtechnik gut übt – langsam und methodisch arbeiten, körperlich effizient bleiben und Übungen Takt für Takt aufschlüsseln.
Course preview
This lesson is part of the course Rockschool Schlagzeugtechnik - Grundlagen (Grade 0-5)
Watch a preview of the full course below.
Lesson transcript:
General Practice Tips for Music Students
Introduction
I'd like to offer some general practice tips.
Awareness of Physical Techniques
First of all, be aware of the physical techniques that you're going to use to get the sound that you need. This includes:
- Bounce techniques
- Stroke techniques or stroke sequences
Remember, it's from those techniques that you get the sound and the dynamics that you need.
Physical Efficiency
Also, think about being physically efficient:
- Use the right strokes and the right movements to get the right sound.
- Work methodically and slowly.
- Break everything down.
- Be patient.
You don't need to rush through the exercises. Just take your time. If you need to break things down into separate bars or even separate beats and play many times, that's fine. There are no rules. Just take your time on the exercises; it's much better than trying to rush through everything.
Practice with a Click
Work with a click, metronome, or a sequence to develop this inner clock. This is the term we use for developing an inner time flow, which helps you achieve:
- Good metronomic time
- Solid knowledge of pulse and subdivisional changes
Regular Practice
Practice regularly! It's much better to practice a little bit each day than to do eight hours in one day and then not practice for two weeks. Aim for:
- Daily practice or about five days a week
- Cumulative practice rather than binge practice
This is very important, so practice regularly!
Stay Connected
Make sure that you speak to your teacher or do further research if you don't have a teacher about all the components of the technical studies. It's beneficial to:
- Run this information by others
- Speak to friends who might be drummers or others preparing for exams
Just have a chat and keep in touch with people so you don't feel like you're totally on your own in this. Speaking to others helps you feel connected!
Conclusion
Before I go, I want to mention that in the technical exercises, there are sections called Groove and Fill and Stylistic Studies appropriate to your grade.
While I won't demonstrate these, they are essentially combinations or extensions of the pieces, grooves, styles, and concepts that you need to practice throughout your entire grade package.
If you've prepared your pieces, grooves, and technical exercises, you'll be well prepared for the exam.
Good Luck!
Here are the technical exercises for your grade, played at the tempo stated in the book. I wish you good luck!
About the instructor

Paul Elliott ist ein angesehener Schlagzeugpädagoge und Clinician, dessen Schüler in der ganzen Branche Spitzenjobs innehaben, darunter die Schlagzeuger von Kylie Minogue (Tom Meadows), Ricky Martin (Laura Fares) und The Cure (Jason Cooper). Er hat sich Clinic-Bühnen mit Steve Smith, Manu Katché, Simon Phillips und Gary Husband geteilt, und seine eigene Spielerkarriere umfasste Arbeiten mit Frank Gambale, Guthrie Govan und Shaun Baxter. Schlagzeuger wie Phil Selway (Radiohead) und Ash Soan (Adele) kommen für technischen Rat zu ihm. In seinen Kursen arbeitet er die technischen Anforderungen Grade für Grade durch, demonstriert jedes Rudiment und erklärt nicht nur, wie man es spielt, sondern was es dir am Schlagzeug ermöglicht, wenn du es beherrschst. read more




