Jammen mit der Dur-Pentatonik

Mit
Talia GirtonDas steckt im Kurs
19 Lektionen (0h 33m) · 1 gratis
01. Was ist eine Tonleiter & Demonstration
Gratis-Lektion2:27

02. Call & Response
0:58

03. Call-and-Response-Beispiel 1
1:09

04. Call & Response Beispiel 2
1:25

05. Jammen mit der Dur-Pentatonik
Du bist hier1:49

06. Jam mit Dur-Pentatonik (Performance)
1:05

07. Jammen mit der Moll-Pentatonik
1:48

08. Minor Pentatonic Jamming (Interpretation)
0:49
Transkript der Lektion
Jamming and Improvising with the C Major Pentatonic Scale
This is a really exciting part of the course because we're going to start jamming or improvising. This means you're going to come up with your own musical ideas.
Introduction to the C Major Pentatonic Scale
First, we're going to use the C major pentatonic scale. You'll see that in the first line, there are notes for us to learn to play, and in the next two lines, there are slashes. That's the part where you get to put in your own musical ideas.
Let's have a listen to how that would sound first.
Getting a Feel for the Rhythm
Snapping Exercise:
- Start with some snapping to get a feel for the rhythm of that first line of music.
- The first two phrases are almost exactly the same. They have identical rhythms, and it's just the last note that changes.
Rhythm Practice:
Let's go through that rhythm once after a count of four:
- One and two and three and four and
- One and two and three and four and
- 1 and 2 and 3 and 4.
And that same rhythm then repeats again.
Adding Pitches
Now, let's add in the pitches:
- 1 and 2 and 3 and 4 and
- 1 and 2 and 3 and 4,
- 1 and 2 and 3 and 4,
- 4 and 1 and 2 and 3,
- and 4 and 1 and 2 and 3 and 4.
Using the C Major Pentatonic Scale
When we get to this next part, you'll be using the notes of the C major pentatonic scale. Remember, those five notes are:
- C
- D
- E
- G
- A
You can play them in any order and with any rhythm that you'd like.
Backing Track Example
Let's turn on the backing track, and I'll give you an example of what that might sound like.
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Talia Girton ist Musikerin und beim HCPC registrierte Musiktherapeutin sowie Gründerin von The Cycling Music Teachers. Ihre Arbeit verbindet Musiktherapie, Beratung und Pädagogik, und sie unterrichtet international im Musiktherapie-Ausbildungsgang der UDELAS in Panama und wirkt zudem an der beruflichen Weiterbildung mit der European Piano Teachers Association (EPTA) mit. Auf MusicGurus unterrichtet sie die Kurse Piano Method und Piano Foundations und führt absolute Anfänger von den ersten Schritten über Rhythmus, beide Hände, Theorie bis zur Aufführung.























