Beat The Mersey (Durchgang)

Mit
Talia GirtonDas steckt im Kurs
19 Lektionen (0h 33m) · 1 gratis
01. Was ist eine Tonleiter & Demonstration
Gratis-Lektion2:27

02. Call & Response
0:58

03. Call-and-Response-Beispiel 1
1:09

04. Call & Response Beispiel 2
1:25

05. Jammen mit der Dur-Pentatonik
1:49

06. Jam mit Dur-Pentatonik (Performance)
1:05

07. Jammen mit der Moll-Pentatonik
1:48

08. Minor Pentatonic Jamming (Interpretation)
0:49
Transkript der Lektion
Music Lesson Transcript Formatting
In this piece, you may have noticed that the left hand consists of thirds all the way through. This means that you can figure out just the bottom note, and then the next note is going to be a skip away in the right hand.
Pattern Recognition
There's a pattern that repeats itself several times throughout the music. It sounds like this and can be seen for the first time in:
- Bars 1 and 2
- Bars 3 and 4
You'll also notice that there's a sharp that appears in the left hand in this piece. You'll see that in:
- Bar 15
- Bar 22
The bottom note of this third is a D. We know that all we have to do to make a third is to skip a note and go up to the next one, which would be F. Because we've got that sharp symbol, we need to make sure that we're going up to the rightmost black key, F sharp.
Practice Tips
Remember to practice this with separate hands and in small chunks.
Demonstration
I'll play it for you first so you can get an idea of what it sounds like:
- 1 and 2 and 3 and 4.
- 1 and 2 and 3 and 4.
- 1 and 2 and 3 and 4.
- 1 and 2 and 3 and 4.
- 1 and 2 and 3 and 4.
- 1 and 2 and 3 and 4.
(This pattern continues through every repetition.)
A Section and B Section
This piece of music has an A section and a B section, which means that they sound quite different. It is depicted in the sheet music by an A with a little box around it and also a B.
This is useful for musicians to discuss which part of the music they would like to play.
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Talia Girton ist Musikerin und beim HCPC registrierte Musiktherapeutin sowie Gründerin von The Cycling Music Teachers. Ihre Arbeit verbindet Musiktherapie, Beratung und Pädagogik, und sie unterrichtet international im Musiktherapie-Ausbildungsgang der UDELAS in Panama und wirkt zudem an der beruflichen Weiterbildung mit der European Piano Teachers Association (EPTA) mit. Auf MusicGurus unterrichtet sie die Kurse Piano Method und Piano Foundations und führt absolute Anfänger von den ersten Schritten über Rhythmus, beide Hände, Theorie bis zur Aufführung.























