Yebba Lick 1
Lesson time: (6min 26sec)
Lerne einen kaskadierenden Vocal-Lick im Stil von Yebba, aus "October Sky" in d-Moll, um ihn deinem eigenen Pop-Riffing-Vokabular hinzuzufügen.
Course preview
This lesson is part of the course Licks, Riffs & Runs für Popsänger
Watch a preview of the full course below.
Lesson transcript:
Style Upgrade Lesson: Exploring Yebber's Licks and Riffs
So, this lesson is one of our style upgrade lessons. We have these lessons to explore vocabulary from other artists and integrate it into our own artistry.
Purpose of the Lesson
The reason why we do this is not to copy, but to gain an awareness of what is possible.
Today's Artist: Yebber
The artist we're focusing on in today's lesson is Yebber. I do love Yebber, and Alicia, I believe, loves Yebber as well. She is a great exemplar for us because we are studying lip licks and riffs, and she has plenty of great ideas. Learning how she executes her licks is really innovative because she approaches things differently than a lot of other artists.
Lesson Overview
We have two licks to learn in this lesson.
Lick 1: "Into the Sky"
- Key: D minor
- Source: The song "October Sky"
This is a beautiful line from that song. So, this is how the lick goes:
Into the sky.
It's quick, with a lot of notes, and she cascades down, saying:
Into the sky.
This is our telltale pentatonic scale, and we start on the note E. We are in D minor but starting on the second scale degree, which is E.
Practice Together
Try this part with me:
Into the sky, Alicia. Into the sky. Good.
Now we're going to add a little more to that:
Into the sky. Into the sky.
And again,
Into the sky.
Remember, when you're doing these licks, don't let that mouth close.
Say: Sky.
That's how you're going to avoid inaccuracies. You want:
Sky. Nice open mouth.
If you struggle with that, pop a finger between your teeth. Try it again:
And into the sky. Good.
Continuing the Lick
Then we keep going down the pentatonic scale from there. So I'll show you:
Into the sky.
Try it with me:
And into the sky.
That's it! Your brain's probably logically moving through each of those notes because we're quite programmed with the pentatonic scale.
Let's try that one again together:
And into the sky. Great.
We have just a few more notes to go:
Into the sky, right down to that low F there.
Counting Notes
One thing I like to do with a fast run of notes is to count them so I know how many I need to get through. You can literally use your fingers.
Into the 1, 2, 3, 4, 5, 6, 7, 8, 9.
We have nine notes to get through, so at least we know what we're dealing with.
Group Practice
So just try it together:
And into the 1, 2, 3, 4, 5, 6, 7, 8, 9.
Leisha, let's try it together using the numbers this time. Sing the numbers with me:
And into the 1, 2, 3, 4, 5, 6, 7, 8, 9.
Good!
Two more times with numbers with me:
Here we go. And into the 1, 2, 3, 4, 5, 6, 7, 8, 9.
The F is low, isn't it? Try it one more time:
And into the 1, 2, 3, 4, 5, 6, 7, 8, 9.
Finishing Touches
We have one little bit to finish this off, and it's got that telltale double scoop.
So we have:
Scoop, scoop, down.
Count it:
1, 2, 3, 4, 5, 6, 7, 8, 9. Up, scoop, scoop, down.
Try it:
I up, scoop, scoop, down.
Full Lick Practice
Now, let's try the whole thing with the up, scoop, scoop, down at the end:
Into the sky and into the 1, 2, 3, 4, 5, 6, 7, 8, 9. Up, scoop, scoop, down.
I know it feels a bit awkward adding all those words, but the brain tends to absorb it a little easier than just a flurry of notes.
Final Challenge
So let's challenge ourselves and take away the words, starting on E:
Into the sky.
I'll start off for this one:
And into the sky.
Do you hear that scoop? Hear that scoop, scoop, down at the end?
Try it again. Have a listen to me:
Into the sky.
Quite low for me, but that's all right. We can always transpose if we need to.
Shall we try it together? Fingers crossed, everyone! Here we go:
And into the sky. Good, let's try a little faster. And into the sky.
Key Takeaways
This is the moment to check your mouth, ensuring you're not letting it close. I like to do this in the mirror because sometimes it's hard to notice.
Remember:
- Keep your mouth nice and open.
- A lot of movement needs to happen.
Into the sky. Try it with me.
And into the sky.
That's it! It's a tough one.
Again, make sure you're doing it at a tempo that is manageable for you. Don't stray from the numbers and the words until you're ready.
We had:
Into the 1, 2, 3, 4, 5, 6, 7, 8, 9. Up, scoop, scoop, down.
Conclusion
So there's your first project, a little phrase from "October Sky," verse 2. See if you can give it a go!
About the instructor

Jono McNeil hat seit über 20 Jahren professionelle Sänger, zeitgenössische Künstler und Vokalisten in einer Reihe einflussreicher Positionen innerhalb der Unterhaltungsindustrie stimmlich gecoacht. Er arbeitet als Vocal Coach bei verschiedenen TV-Shows, darunter The Voice Kids, The Voice UK, Little Mix The Search, The Masked Singer, Wedding Day Winners und Change Your Tune, und coacht Tourneekünstler wie JLS, New Rules und July Jones, um nur einige zu nennen. Als eigenständiger Künstler und Sänger ist Jono zudem mit Michael Buble, Paloma Faith, Josh Groban, Nelly, Jamie Cullum, Lemar, George Ezra und Jocelyn Brown aufgetreten und hat mehrere eigene Alben auf Streaming-Plattformen veröffentlicht. Er verbindet seine Erfahrung auf der Bühne und im Tonstudio mit einem tiefen Verständnis der stimmlichen Funktion, um wirkungsvolle und inspirierende Coaching-Erlebnisse zu bieten. Zuvor war er Leiter des Gesangsbereichs an der Academy of Contemporary Music (ACM), wo er unterrichtete und Inhalte für den Gesangslehrplan des Studiengangs Popmusik gestaltete, und heute ist er weiterhin als externer Prüfer für andere akademische Einrichtungen wie das Leeds Conservatoire tätig. Mit Leidenschaft für die Möglichkeiten der Popmusik und der Künstlerschaft verfolgt er innovative Forschung und Strategien, um diese zu verwirklichen; zu seinen akademischen Qualifikationen zählen ein Abschluss in Jazz und ein Master in Vocal Pedagogy. In Licks, Riffs & Runs for Pop Singers zeigt dir Jono genau, wie du die geschmeidigen Runs, Riffs und Licks hinzufügst, die den modernen Popgesang ausmachen, damit du eine Melodie selbstbewusst verzieren und zu deiner eigenen machen kannst. read more




