Stimmaufwärmen mit Sirenen

Juliet Russell
Juliet Russell

Lesson time: (5min 3sec)

Juliet Russell teilt sanfte Aufwärmübungen, um deine Stimme zu schonen, mit stimmhaften Reibelauten, Sirenen und Lippenflattern, um die Stimmlippen vor dem Singen zu lockern.

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This lesson is part of the course Grundlegende Fähigkeiten für Sänger
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Lesson transcript:

Warming Up the Voice

In this lesson, we're going to look at warming up the voice. Now, a lot of vocal warm-ups basically involve making funny noises, but there are some really good reasons to warm up your voice.

The Importance of Vocal Care

The care and maintenance of your voice is of utmost importance. Even though our larynx is doing an amazing job and our vocal folds do an amazing job, they need care. Warming up helps us develop healthy habits with our voice.

  • Always Warm Up Before Singing: It's crucial to make this a habit.
  • Cool Down After Singing: This is equally important for maintaining vocal health.

Think of singing like being a sports star: you wouldn't just suddenly run 100 meters; you'd stretch and warm up first. It's the same principle for the voice.

Voiced Fricatives

We've previously looked at unvoiced fricatives and now we're going to add voicing to those fricatives.

  • Where we had an S, we're going to do a Z.
  • Where we had a SH, we're going to do a ZH.
  • Where we had an F, we'll do a V.

Voiced fricatives are a really nice way of warming up the voice, and we use them in something called sirens.

Sirens

Now, why are they called sirens? Simply because they sound like a siren. The great thing about sirens is that we can work within our own range.

Remember: Every voice is unique, your voice is as unique as your fingerprint!

  1. Find Your Comfortable Range: Work with where you feel comfortable.
  2. Register Breaks: For some people, you may notice a register break when you do a siren. There are different registers within the voice, but it's still one voice. With practice, we can learn to smooth out those register breaks.

Note: Sometimes, a register break is desirable, like when singing "Zombie, Zombie." It uses that quick change. However, you may sometimes prefer a smooth transition, which we'll discuss later.

Practicing Sirens

So, to start off, we'll use a Z sound. Here's how to do it:

  1. Find a Low, Comfortable Note: Start by sliding up.
  2. Demonstration: I'm going to sing it to demonstrate, but you don't have to match my notes. Your range will be different, so focus on comfort.

Remember: A siren is basically a slide up and down.

  • Try it out with a Z:
    • Just have a little go at that sound.
    • Or in your range, you might want to go Z, whatever feels comfortable.

Conducting the Exercise

  • Play around with that sound; you can even try a V.
  • If your voice cuts out or there's a gap, the best approach is to go slightly underneath it and slower.

Take Your Time: The most important thing here is to warm up all the notes across your range.

Additional Sounds for Warm-Up

There are other sounds that work really well with sirens:

  • NG Sound:

    • Play around with the sound at the end of "sing" (N N).
    • Aim for a pleasant resonance, not too nasal or blocked.
  • Lip Bubbles:

    • Some people find this easier with hands on their cheeks: Brr.
    • Just have fun experimenting with it!
  • R Sound:

    • This can be a bit tricky, but if you can do it, it's really useful!

Transition to Structured Sirens

Now, we're going to move over to the piano. It's exciting because we're going to do a few more structured sirens, starting with smaller increments and gradually building up.

About the instructor

Juliet Russell
Juliet Russell

Juliet Russell ist Sängerin, Komponistin, Vocal Coach und Chorleiterin. Es ist ihr eine Herzensangelegenheit, Einzelne und Gemeinschaften dabei zu unterstützen, ihre Stimme und Kreativität zu entfalten. Als Vocal Coach bei The Voice und The Voice Kids von ITV sowie bei Michael McIntyre’s Big Show der BBC hat Juliet auch mit Künstlern gearbeitet, die mit Grammy, Brit, MTV Europe und MOBO Awards ausgezeichnet wurden. Sie hat mit innovativen Künstlern wie Damon Albarn, Imogen Heap, Paloma Faith, alt-J, Yoko Ono, Seal und Ringo Starr zusammengearbeitet und musiziert. 2015 ging sie mit Unterstützung des Arts Council of England mit ihrem Album Earth Meets Sky auf Tour und schuf mit lokalen Musikern und Gemeinschaftschören zehn einzigartige Aufführungen im gesamten Vereinigten Königreich. Regelmäßig wird sie mit neuen Chorwerken und Vokalarrangements beauftragt und ist national wie international aufgetreten. Der Förderung von Künstlern verpflichtet, betreut und coacht Juliet aufstrebende Künstler und arbeitet dabei mit Management-, Platten- und Verlagsfirmen sowie mit unabhängigen Künstlern zusammen. Sie unterhält ein Gesangsstudio mitten in der lebendigen Brick Lane in London. Juliet war Gründungs-Intendantin von Sense of Sound und Creative Director von Sing Up Greenwich und Sing Late im V&A. Sie leitet den Portobello Live Choir, einen Gemeinschaftschor im Westen Londons, und den professionellen Chor Assemble und ist Ausbilderin im Programm Singing for Lung Health der British Lung Foundation. read more

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23 lessons (1h 55m)
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