Die Snare versetzen und Ghost Notes
Lesson time: (8min 19sec)
Max Sedgley zeigt, wie du die Snare an neue Stellen im Takt versetzt und leise Ghost Notes zwischen die Backbeats setzt, um den Groove aufzufüllen.
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This lesson is part of the course Schlagzeug: zurück zu den Basics
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Lesson transcript:
Drumming Lesson #5: Ghost Notes and Snare Positioning
Hi there, I'm Max Sedgeley, and I'm here as part of the music gurus.com back to basics drumming lessons. Today is drumming lesson number five of the beginners course. We're going to focus on:
- Moving the snare around
- Ghost notes on the snare drum
Understanding Ghost Notes
Ghost notes are essentially little hits that are a lower volume than the main backbeat. In our previous lessons, we learned that the snare is typically played on the two and four backbeats. Now, we'll add ghost notes between those beats to enrich the sound and fill out the groove. This technique is prevalent in various music genres.
Example of Ghost Notes
Here's a quick example using a beat from lesson two. You'll play the same beat, but now you'll incorporate ghost notes, which sound like this:
- Your left hand mimics the snare while your right hand plays the hi-hat.
- The left hand fills in gaps between the existing beats.
Practice Tips
When practicing, focus on:
- Even spacing in the timing of the notes.
- Playing ghost notes at a lower volume than the main backbeat.
Varying Your Technique
You can also vary the position on the drum:
- Backbeat: Usually in the middle or about an inch or two from the edge.
- Ghost notes: Play closer to the edge for a different sound or softer in the same spot.
Try playing right on the edge if it feels right for you, but remember to keep your main beats (2 and 4) consistent.
Volume Dynamics
- Start with a loud hi-hat and a quiet snare.
- Practice swapping the volume levels between each hand.
Remember the Basics
The ghost note is called a "ghost" because it's the shadow of the normal backbeat. Typically, you'll have:
- Quiet on the snare
- Louder on the hi-hat
Experiment with placing ghost notes in various spots, and you'll discover where they fit best in your style.
Finding the Right Balance
Keep in mind that:
- Less is more: A few well-placed ghost notes can be more effective than overusing them.
- Your style and the genre of music will influence how and when to use ghost notes.
Practice Integration
It's common to place a ghost note at the end of a bar, leading into the next bar, like so:
- Count: 1, 2, 3, 4. 1, 2, 3, 4, E.
Start by practicing the hi-hat eighths alone, hitting the snare on different beats. Once you add in the kick drum, the rhythm will start to gel.
Advanced Techniques
You can even play a ghost note simultaneously with other notes, which will develop as your style and playing evolve.
Final Thoughts
Experiment, practice, and have fun with these techniques!
About the instructor

Max Sedgley ist ein britischer Produzent, Schlagzeuger und DJ mit einem Abschluss in klassischer Musik. Seine Kompositionen waren in zahlreichen TV-Sendungen und Werbespots zu hören, darunter die Serie Six Feet Under, und er war der Schlagzeuger des Drum-&-Bass-Produzenten Roni Size. Außerdem nimmt er unter dem Namen Cadien auf.In seinen Kursen bringt er das Schlagzeugspiel von Grund auf bei – Schlagtechnik, grundlegende Grooves und das Achtel-Rockpattern – sowie die legendären Drum-Breaks der 60er- und 70er-Jahre, die in unzählige moderne Tracks gesampelt wurden. read more




