Beethoven - Piano Sonatas No 21 "Waldstein" and No 31, Op 110
CoursePianoClassicalIntermediate
Part ofPiano

Beethoven - Piano Sonatas No 21 "Waldstein" and No 31, Op 110

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Duration1h 41m
Modules4
LevelIntermediate
LanguageEnglish

Lesson Plan (1h 41m)

About this course

Two pillars of Beethoven's piano writing in one masterclass: the brilliant, expansive 'Waldstein' Sonata No. 21 and the searching late Sonata No. 31, Op. 110. Stephen Kovacevich brings the thoughtfulness and creative intensity for which his playing is renowned to both works, giving you an up-close look at how a leading Beethoven interpreter shapes their architecture, colour and character - insights you can carry into your own playing.

The 'Waldstein' takes its name from Count Ferdinand von Waldstein, a friend and protector of the composer. Kovacevich is considered one of the most searching interpreters of the core classical repertoire, with great admiration for his recordings of Mozart, Beethoven, Brahms, Schubert and Chopin. His 2003 recording of the complete Beethoven piano sonatas earned a 'Choc' from the French magazine Le Monde de la musique and a 'Diapason d'or'.

In partnership with The Masterclass Media Foundation Archives, which provides a valuable educational resource in order to perpetuate musical passion and knowledge from one generation to another. [MMF030]

Who it's for

  • Intermediate pianists ready to tackle late Beethoven
  • Returning players reconnecting with the classical canon
  • Students curious how a master shapes phrasing and structure

What you'll learn

  • Shape the opening of the Waldstein with clearer pacing
  • Hear and voice Beethoven's inner lines more deliberately
  • Make interpretive choices you can defend musically

What you'll need

  • An acoustic or digital piano with weighted keys
  • A score of the Waldstein and Op 110
  • A few minutes most days, returning to short passages often

Meet the Guru

Stephen Kovacevich

Stephen Kovacevich

Stephen Kovacevich is one of the most searching interpreters at the keyboard, winning unsurpassed admiration for his playing of Beethoven, Brahms, Mozart and Schubert. Alongside his long and distinguished career as a soloist he has conducted for many years, earning warm praise for his work with orchestras throughout the world in repertoire from the 18th and 19th centuries.

Born in Los Angeles, he made his concert debut as a pianist at the age of 11. At 18 he moved to England to study with Dame Myra Hess. His international reputation has been built both on his concert appearances, renowned for their thoughtfulness and re-creative intensity, and on the highly acclaimed recordings he has made throughout his career.

Kovacevich has enjoyed two long-term relationships with recording companies, first Philips and then EMI. His concerto recordings for Philips, including Beethoven, Schumann and Bartok, have long been staples of the catalogue. As an exclusive EMI artist, he recorded both Brahms Piano Concertos with the London Philharmonic Orchestra and Sawallisch. The other great projects of his work with EMI were a compelling series of Schubert Sonatas and a set of the 32 Beethoven Sonatas completed in 2003, hailed as one of the most authoritative ever recorded. His recording of the Diabelli Variations for Onyx won the 2009 Classic FM Gramophone Editor's Choice award.

Studying with Kovacevich is a direct line into that interpretive mind: how he shapes a phrase, finds the architecture in Schubert, Beethoven and Chopin, and turns technique into music that genuinely means something. It is a rare chance to learn this repertoire from a pianist who has spent a lifetime living inside it.

Published with

Masterclass Media Foundation

The Masterclass Media Foundation films and records leading classical musicians teaching, so students can sit in on masterclasses they would otherwise never reach. Its aim is twofold: to let players and music lovers learn directly from great teachers, and to build a lasting archive of that teaching for future generations. UK registered charity 1113002.

Masterclass Media Foundation

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