Beethoven - Late Piano Sonatas
CoursePianoClassicalIntermediate
Part ofPiano

Beethoven - Late Piano Sonatas

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Duration2h 40m
Modules4
LevelIntermediate
LanguageEnglish

Lesson Plan (2h 40m)

About this course

The three sonatas that close Beethoven's cycle - Op. 109, Op. 110 and Op. 111 - are among the most profound music ever written for the piano, and this masterclass is a chance to explore them with one of the most thoughtful interpreters alive. Andras Schiff analyses each sonata in detail and demonstrates his personal interpretation and technique in these sublime late works, giving you a direct window into how a great artist hears, voices and shapes them.

Schiff has long been associated with the major keyboard works of Bach, Haydn, Mozart, Schubert, Schumann and Bartok. In 2004 he began performing the complete cycle of the 32 Beethoven Piano Sonatas in chronological order, having studied them from the original autograph scores and earliest editions - meticulous attention to the composer's instructions that has produced performances praised for their freshness and authenticity, even when they challenge traditional interpretations.

In partnership with The Masterclass Media Foundation Archives, which provides a valuable educational resource in order to perpetuate musical passion and knowledge from one generation to another. [MMF003]

Who it's for

  • Intermediate pianists ready to study Beethoven's late works
  • Returning players reconnecting with serious classical repertoire
  • Self-taught pianists wanting deeper interpretive insight

What you'll learn

  • Shape phrasing and voicing in Op. 109, 110 and 111
  • Read Beethoven's markings closer to the original sources
  • Make interpretive choices you can explain and defend

What you'll need

  • Access to an acoustic or digital piano
  • Scores of the three late sonatas
  • A few minutes most days for focused listening

Meet the Guru

András Schiff

András Schiff

András Schiff is one of the most prominent members of a generation of Hungarian pianists born in the years following the Second World War, along with such artists as Zoltán Kocsis, Dezso Ránki, and Jenő Jandó. Of this remarkable group, Schiff has achieved the greatest international reputation, due not only to his decision to pursue his career outside of Hungary, but also thanks to his finely shaded sense of touch and an impressive memory that allows him to present, in concerts and recordings, large portions of a composer's oeuvre.

Schiff was born in Budapest on December 21, 1953, and studied with Hungarian composer Pal Kadosa and Ferenc Rados (both of whom also taught Kocsis and Ránki), and English harpsichordist George Malcolm. He made his debut in Budapest at the age of 19, following it with concert appearances throughout Europe and the United States. His reputation grew with prizewinning performances at the 1974 Moscow competition and the 1975 Leeds Festival.

András Schiff works with most of the major international orchestras and conductors, but most of his performances of piano concertos by Bach, Beethoven and Mozart are directed by himself. In 1999 he created his own chamber orchestra, the Cappella Andrea Barca, with which he works annually as conductor and soloist, as he also does with the Philharmonia Orchestra and the Chamber Orchestra of Europe.

Schiff's style, in which an unusually sensitive touch is combined with an alertness to contrapuntal clarity, has made him one of the foremost Bach interpreters of the day. He has recorded the complete keyboard music of Bach, as well as the complete sonatas and sonata fragments of Franz Schubert, whose introspective keyboard music is well suited to Schiff's temperament. He completed a Beethoven sonata cycle on ECM in 2009, and he was awarded the 2011 Schumann Prize by the city of Zwickau for his interpretation and promotion of Schumann's music. In 2001, Schiff began revisiting and re-recording the works of Bach. In addition to the expected middle-European Romantic works, the music of Béla Bartók and Leos Janácek figures prominently in Schiff's repertoire.

In his MusicGurus courses on Schubert's Moments Musicaux Nos 1, 3 and 4, Bach's Partita No. 2 and Beethoven's Late Piano Sonatas, Schiff takes you inside that interpretive world - sharing how he thinks about voicing, touch, contrapuntal clarity and structure so you can bring real depth and understanding to these works at the keyboard.

Published with

Masterclass Media Foundation

The Masterclass Media Foundation films and records leading classical musicians teaching, so students can sit in on masterclasses they would otherwise never reach. Its aim is twofold: to let players and music lovers learn directly from great teachers, and to build a lasting archive of that teaching for future generations. UK registered charity 1113002.

Masterclass Media Foundation

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