Brahms - Piano Quartet No 3 in C minor
CourseViolinClassicalIntermediate
Part ofViolin

Brahms - Piano Quartet No 3 in C minor

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Duration1h 13m
Modules3
LevelIntermediate
LanguageEnglish

Lesson Plan (1h 13m)

About this course

Sit in on a rare chamber-music masterclass and watch four superb young artists shape one of Brahms's most personal works under a master coach, then carry his insights on ensemble, phrasing and dramatic narrative into your own chamber playing. The focus is Brahms's Piano Quartet No. 3 in C minor, Op. 60 (for violin, viola, cello and piano), the so-called 'Werther' quartet: a magnificent, tragic score whose searching emotion mirrors the young Brahms torn between his admiration for the dying Robert Schumann and his impossible love for Schumann's wife, Clara. Begun in 1855 as one of three piano quartets and then set aside as too personal, it was finally completed in 1875 and first performed some twenty years after its first draft.

Leading the session is Gabor Takacs-Nagy, an inspiring and perceptive teacher whose chamber-music masterclasses are greatly in demand. Born in Budapest, he began the violin at the age of eight, studied at the Franz Liszt Academy and later with Nathan Milstein, and from 1975 to 1992 was founding member and first violinist of the Takacs Quartet, which became world-renowned as one of the finest string quartets of its day. He has been Professor of String Quartet at the Geneva Conservatoire since 1977 and regularly gives masterclasses in academies around the world. His students here are Eduard Kunz (piano), Vilde Frang (violin), Barbara Buntrock (viola) and Leonard Elschenbroich (cello).

In partnership with The Masterclass Media Foundation Archives, which provides a valuable educational resource in order to perpetuate musical passion and knowledge from one generation to another. [MMF014]

Who it's for

  • Intermediate chamber players preparing this Brahms quartet
  • String and piano students drawn to late Romantic repertoire
  • Returning musicians wanting deeper interpretive guidance

What you'll learn

  • Shape phrases around the work's emotional narrative
  • Balance piano and strings across dense textures
  • Apply masterclass feedback to your own ensemble playing

What you'll need

  • Your instrument and a score of Op. 60
  • Some prior experience playing chamber music
  • A few minutes most days to study and reflect

Meet the Guru

Gábor Takács-Nagy

Gábor Takács-Nagy

Gábor Takács-Nagy was born in Budapest, where he started learning the violin at the age of eight. Whilst still a student at the Franz Liszt Academy, he won First Prize in the Jeno Hubay Violin Competition in 1979, after which he continued his studies with Nathan Milstein.

From 1975 to 1992, he was founding member and first violin of the Takács Quartet, which won first prizes in the international competitions at Evian (1977) and Portsmouth (1979). The quartet performed with Sir Georg Solti, Lord Menuhin, Isaac Stern, Mstislav Rostropovitch, András Schiff, James Galway, Paul Tortelier, Mikhail Pletnev, Joshua Bell, Zoltan Kocsis and Gidon Kremer, and made several recordings for Decca and Hungaroton.

In 1982, he was awarded the Liszt Prize. In 1996, he founded the Takács Piano Trio, with whom he recorded works by Franz Liszt, Laszlo Lajtha and Sandor Veress, and the BBC in the UK has broadcast their recording of Beethoven's Archduke Trio. In 1997, Gábor Takács-Nagy was named Professor of String Quartet at the Geneva Conservatoire and at the Sion Conservatoire in Valais, and he regularly gives masterclasses at international academies. Since 2001 he has also conducted orchestras, creating his own string orchestra, the Camerata Bellerive, in 2005.

In his masterclasses, Gábor turns a lifetime inside the chamber repertoire into practical guidance, showing how phrasing, intonation, character and ensemble dialogue are shaped from the inside of the music. Here he opens up two cornerstones of the literature - Brahms's Piano Quartet No 3 in C minor and Béla Bartók's String Quartet No 5 - sharing the interpretive decisions that bring these scores to life so you can apply the same thinking to your own playing.

Published with

Masterclass Media Foundation

The Masterclass Media Foundation films and records leading classical musicians teaching, so students can sit in on masterclasses they would otherwise never reach. Its aim is twofold: to let players and music lovers learn directly from great teachers, and to build a lasting archive of that teaching for future generations. UK registered charity 1113002.

Masterclass Media Foundation

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