Lesson 24 of 29DrumsAdvanced

Eastern Adventure

6:01

A walkthrough of the Grade 7 drum and bass piece 'Eastern Adventure', covering steady hi-hat and ride playing, the easy-to-miss snare on beat four in bar 11, and the written drum solo at section D.

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29 lessons (2h 45m) · 1 free
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    • 02. Cry Me A River – Justin Timberlake (Lesson)

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    • 03. Family Affair – Mary J Blige (Lesson)

      11:59

    • 04. Law – Richard Spaven (Lesson)

      6:05

    • 05. Techno – John Scofield (Lesson)

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    • 06. What Is Hip? – Tower of Power (Lesson)

      10:54

    • 07. Razorhead

      7:23

    • 08. Buena Havana

      7:17

    • 09. The Bean

      9:50

    • 10. Eastern Adventure

      You are here

      6:01

    • 11. Full English Breckerfest

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    • 12. Kita's Five

      7:03

Lesson transcript

Eastern Adventure: Grade 7 Drum and Bass Lesson

Overview

This piece, "Eastern Adventure," is deceptively hard and styled in a drum and bass genre. Before you begin playing, it's essential to immerse yourself in some drum and bass music. Artists like Jojo Mayer and Mark Giuliano are highly recommended as exemplary figures in live drum and bass.

Key Points to Remember

  • Consistency and Steadiness

    • It's crucial to maintain a consistent and steady beat throughout the piece, particularly when playing on the hi-hat or ride cymbal.
    • Aim for an even sound, both instruments should emulate programmed drums.
  • Attention to Detail

    • Watch for that cheeky little snare drum on the four in bar 11; it's easy to overlook.
    • This groove exemplifies a classic drum and bass and funk style.

Drum Solo at Section D

  • The first eight bars of the drum solo are written out.

  • Practice Tips:

    • Use a metronome and start slow.
    • While the material may seem manageable, linking different rhythms (minim triplets, quaver triplets, semiquavers) can be challenging.
  • After mastering the written section, you have another eight bars to improvise. This solo allows for creative freedom, play around!

    • Explore different permutations and try various groupings, such as quads or groupings of six.
    • Feel free to move around the kit and experiment with different rhythms.

The Hi-Hat at Bar 73

  • Focus on keeping the hi-hat tight and clean:
    • This section should not have a sludgy punk feel; aim for a light and articulate sound.
    • Lock in with the backing track for the best results.

Building Up the Song

  • When you reach section E, ride on the crash cymbal and develop the groove, reverting to the style of bar 9.
  • Recognize the connection to classic drum and bass that draws influences from funk and soul. Listening to old funk records can help you understand the styling.

Coda Practice

  • The coda includes a cymbal swell where you'll build dynamics for two bars and then decrease for another two bars.
    • Practice Tips:
      • Focus on semiquavers (1, 2, 3, 4) while gradually making them louder.
      • If speed is an issue, consider playing triplets.

Ride Cymbal Technique

  • Maintain a very still hand on the ride cymbal and use your fingers to control the rebound.
    • Dynamic Control: Keep the dynamic low while achieving an even sound.
    • Avoid excessive up-and-down motions that could wash out the sound.

Final Thoughts

Playing live means sustaining your energy for a full set (45 minutes to an hour). So, stay relaxed, keep your movements controlled, and embrace the flow.

Listen to your teacher for guidance and enjoy your journey into this engaging genre of music!

Enjoy the Adventure!

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