Everywhere I Go - The bridge

With
LissieLissie walks through the bridge of 'Everywhere I Go', the chords it uses and where the section sits in the song.
What's in the course
25 lessons (1h 37m) · 1 free
01. Everywhere I Go - Background & memories
7:18

02. Everywhere I Go - The chords
3:16

03. Everywhere I Go - The bridge
You are here3:35

04. Everywhere I Go - Solo
1:41

05. Everywhere I Go - Picked out intro
4:51

06. Everywhere I Go - Performance (With Chords)
4:03

07. Everywhere I Go - Performance (single-cam)
4:03
Lesson transcript
Music Lesson: Understanding the Bridge and Modulation
So, I showed you the verse, the chorus, and a little tag at the end of the chorus. We'll go over it again.
The Bridge (or Middle Eight)
When we get to the bridge, which is also called a middle eight, it can be a bit confusing.
- In the UK, a bridge is a pre-chorus.
- In the US, a bridge is a middle eight.
So, you know, not to blow your mind, but that's a little confusing if you ask me.
The Structure
When we get to that kind of middle section, you know, it usually happens between the second and last chorus. There's a little shift, and I call that a bridge. In the UK, they call that a middle eight.
Chords Needed
For this part, the chords we're going to need are:
- E minor
- D
- A
Now, we've already hopefully gotten confident with our E minor (great chord!) and feeling good about our D. We're gonna bring that A in there.
Modulation
Now, something interesting in this song, which can be a bit cheesy, is called a modulation.
- It's when, for the last triumphant moment of a pop song, you raise it up a key.
- Think about "I Will Always Love You" by Whitney Houston; you know, that money note.
Sometimes, it can be a little dramatic, but for me, in this song, it feels really sweet and special.
Preparing for the Last Chorus
I've told you about the different chords, and now I'm going to bring you to this modulation for our last chorus. Then, I'm going to walk you through it from the beginning to the end so you understand the song structure.
First, we need to line up all of our chords. We know we need:
- G
- B minor
- C
- D
- E minor
- A
So get your chords kind of ready so that you're familiar with them.
The Moment in the Song
After we go out of the middle eight (or bridge), we use E minor, D, and A.
"Hear me, this is the point in the song where I just hold out the note as long as I can."
It's usually a moment on stage where everyone starts cheering, and it's really sweet. I hold the note out as long as I can, and I'll fall on my knees. That's when we hit the modulation.
The Modulation Transition
For the modulation, we go to:
- D to E
Then, we have a bar chord. This is an F sharp minor.
"This is a little advanced because you're going to need to make a bar chord."
It's that bar chord on the second fret.
- It's similar to the E shape, except you would pick up your middle finger.
- You're only doing stuff on the second and fourth fret.
- If you were in an E, you're just picking up that middle finger.
I hope that's not too confusing! So, we're going to need this F sharp minor for the modulation chorus, and then we go back to the D.
Summary of the Chords
Those are all the chords needed for the lesson.
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Meet your guru

Meet your guru
Lissie is a folk-rocker who grew up in Rock Island, Illinois, near the Mississippi River, speaking her mind and writing songs from an early age. Fans first fell in love with her voice on the five-song EP 'Why You Runnin'', produced by Bill Reynolds of Band of Horses, which Paste Magazine ranked among its Eight Most Auspicious Musical Debuts.
In 2010, her first full-length album 'Catching A Tiger' unassumingly established Lissie as a global voice. Stateside praise was matched in the UK with acclaim from the BBC, Evening Standard, Uncut and The Independent, who described it as "as refreshing a slice of pop as these jaded ears have heard in years." The album went on to sell 300,000 copies worldwide - 100,000 of them in the UK, where it was certified Gold.
Highlights along the way:
- Nominated for Best Breakthrough Act at the Q Awards, and tapped by VH1 as a "You Oughta Know" artist
- Festival sets at Glastonbury, Hard Rock Calling, Latitude, Secret Garden Party and Bestival
- TV appearances including Later with Jools Holland and Sunday Brunch
- Screen roles in Loudermilk and David Lynch's Twin Peaks, where NME praised her "intense" performance closing the episode with the Stevie Nicks-esque 'Wild West': "Rock Island's most exciting troubadour more than earned her Lynch-commissioned screen time."
- 'Carving Canyons' (out September 16), her first full-length album since the UK Top 10 'Castles' in 2018
In her guitar course, Lissie shares the chords, strumming and songwriting instincts behind her songs - everything you need to start playing like Rock Island's finest troubadour.






























