Lean how to slap the bass
Lesson time: (5min 24sec)
Roy Vogt teaches the fundamentals of slap bass, thumb technique, hand position and the backstops that give slap and pop their punch.
Free lesson
This lesson is part of the course Teach Me Bass Guitar vol.3: Finding your own style
Watch this lesson for free below.
Lesson transcript:
Welcome Back to Chateau Groove: Learning Slap Bass
Introduction to Slap Bass
Alright, welcome back to Chateau Groove. Today, let's look at how to play slap bass.
Using Your Thumb
I'm going to show you how to use your thumb and then we're going to incorporate that for the warm-up.
What is Slap Bass?
When you're playing slap bass, what you're really doing is hitting the strings with your thumb and then hitting the fingerboard.
- I could do anything to hit the fingerboard and I would get a slap sound like that, ow! Maybe that wasn't so smart.
- Typically, I use the thumb.
Hand Position
- My hand position for the thumb is as follows:
- I hold my thumb in a thumbs-up position.
- I hook these fingers into a little curve.
Now, I'm going to drop that thumb down. Remember when we were playing pick style and I had the thumb going parallel to the string? I'm going to apply the same concept here.
Backstops
- I'm putting the thumb right up against the end of the fingerboard.
- This creates two backstops with what I'm doing:
- If I hit the E string, one backstop is the next lower string.
- The second backstop is the fingerboard.
You can see that the thumb is making contact with both the fingerboard and the lower string.
Moving Across Strings
Let's look at that again as I move to different strings:
- A string: Same technique
- D string: Same technique
- G string: Here, I don't have any backstops available, so I use the body of the bass guitar as a backstop.
First Exercise: The Four by Four
Now, let's revisit that very first exercise we did in lesson one: the four by four.
Count:
1, 2, 3, 4.
1, 2, 3, 4.
1, 2, 3, 4.
1, 2, 3, 4.
Now, I'm going to use downstrokes with my thumb.
- It goes like this:
1, 2, 3, 4.
I'm starting with half notes, just getting used to this.
Notice Your Technique
I want you to notice something:
- I'm not using my thumb muscle at all.
- If you're watching my right hand, the thumb is like a drumstick.
- I'm just letting my wrist rise up and curve, then hitting the thumb into the string.
Now, I'll do that again with half notes.
Moving to Quarter Notes
Let's do quarters:
1, 2, 3, 4.
Double Thumbing Technique
Now, I'm going to treat that thumb like a guitar pick.
- I'll perform: downstroke with the thumb and upstroke with the thumb.
This technique is called double thumbing. Notable players who use this style include:
- Victor Wooten
- Stanley Clarke
- Marcus Miller
Actually, it'll feel like I'm playing with a guitar pick. The same movements apply: down, up, down, up, down, up.
Key Point
- The only difference is that I'm using just my thumb and not a pick.
- Remember, what creates the sound of the slap is really the string hitting the fingerboard, so I'm utilizing those backstops.
Eighth Notes Exercise
I'll do eighth notes now. This is kind of advanced. You might want to save this and work on it a little bit later as you get more comfortable with slap bass.
Here's the four by four exercise with double thumbing!
About the instructor

Roy Vogt's career spans an extraordinary range of stages, from MTV's Headbanger's Ball, the Montreux Jazz Festival and the Montreal Jazz Festival to the London Palladium, the Grand Ole Opry and the Kremlin. From punk to funk, the simplicity of country and blues to the complexity of HyperJazz and World Beat, he has played it all. Roy was the first person to receive a Master's degree in Electric Bass Performance, from the University of Miami's prestigious music school, and has been pursuing the art of bass for more than forty years. He has mentored dozens of successful professionals, including the legendary Willie Weeks. Electric, fretless, upright - you name it: if it plays low notes and has strings, Roy is a master at playing it, and at teaching others to do the same. Over his four-decade career, Roy has recorded or performed with an amazing list of top stars, including Larry Coryell, Victor Wooten, Dave Weckl, Tom Scott and the LA Express, Chester Thompson, Miroslav Vitous, Glen Campbell, BJ Thomas, Chet Atkins, Engelbert Humperdinck, Dickey Betts, Tony Joe White, Charlie Daniels, Jerry Reed, and dozens more. Roy has been teaching at university level for thirty years. Since 1983 he has held the Bass Professor chair at prestigious Belmont University (Nashville, TN), one of the very few schools to offer a commercial music degree program designed to turn students into professional musicians working at the top of the industry. Roy's students have toured and recorded with notable stars such as Trisha Yearwood, Faith Hill, Little Texas, Michael W. Smith, Lady Antebellum, Chick Corea, Sir Tom Jones, Blood Sweat and Tears, Yanni, and countless other music icons. His Teach Me Bass Guitar series brings that same university-level approach to you, taking you from a complete beginner's quick start (vol. 1), through rhythm fundamentals (vol. 2), finding your own style (vol. 3) and serious musicianship (vol. 4), all the way to a pro-player toolkit (vol. 5), so you build real skills step by step. read more




