Lesson 4 of 8PianoIntermediate

Nos. 4, 13 analysis, explanation, demonstration with Joanna McGregor

In this lesson, Joanna McGregor works with Alissa Firsova on Messiaen's Vingt Regards sur L'Enfant-Jesus, No.4, No.13.
Part of the courseMessiaen - Vingt Regards sur L'Enfant-Jesus8 lessons (2h 24m)

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What's in the course

8 lessons (2h 24m) · 1 free
    • 01. Nos. 1, 2, 3 performance

      Free lesson

      2:42

    • 02. Nos. 1, 2, 3 analysis, explanation, demonstration with Joanna McGregor

      33:10

    • 03. Nos. 4, 13 performance

      7:29

    • 04. Nos. 4, 13 analysis, explanation, demonstration with Joanna McGregor

      You are here

      32:43

    • 05. No. 10 performance

      8:43

    • 06. No. 10 analysis, explanation, demonstration with Joanna McGregor

      27:52

    • 07. No. 11 performance

      7:34

    • 08. No. 11 analysis, explanation, demonstration with Joanna McGregor

      23:53

Lesson transcript

Music Lesson: Exploring Messiaen's Movements

Introduction

In the context of the three movements we've just heard, we begin to encounter human music, particularly in the form of a lullaby. This moment introduces a human element in Messiaen's work, shifting from the previous theological and granite-like qualities we've experienced.

Movement Insights

  • Human Touch in Music:

    • The lullaby introduces a human face into Messiaen's work.
    • Prior movements felt more abstract and monumental.
  • Relaxed Rhythm:

    • Aim for a looser playing style.
    • There's a calypso rhythm that requires a certain asymmetrical rocking.
    • Avoid playing too slowly or too strictly; maintain a relaxed feel.

Practical Advice

  • Warm-up:

    • Play the tune with more relaxation.
    • Be mindful of the rhythm; explore a gentle, rocking style like singing to a baby.
  • Emotional Comparison:

    • Contrast this movement's relaxed and free nature with the more structured movements played by Amazeen.
    • Emphasize tenderness and warmth over rigidness.

Playing Technique

  • Sound Quality:

    • Strive for a light, tinkling sound as if you're playing with three P's (piano, pianissimo, and delicate touch).
  • Navigating High Notes:

    • When playing higher notes, slow down to find that soft, airy quality.
  • Improvisation & Freedom:

    • Incorporate variations on the lullaby, allowing yourself room to breathe and adjust tempo.
    • Avoid locking yourself into a rigid speed or style.

Interpretative Reflections

  • Emotional Interpretation:

    • Consider the dual impressions of warmth versus a more inhuman quality of the Virgin Mary imagery.
    • Recognize that despite its sacred origin, the lullaby embodies human experiences.
  • Creating Imagery:

    • Envision birdsong in this movement to influence your right-hand playing style, focus on lightness and the essence of dance.

Christmas Movement Engagement

  • Contrast Expectations:

    • Prepare for audience expectations versus the actual loudness and intensity of the "Christmas" movement.
  • Rhythm:

    • Aim to maintain a stronger internal rhythm while allowing for flexibility.
    • Play the bells and loud segments with a jazzy flair, make sure not to rush or lose the essential cadence.

Final Techniques

  • Gesture Control:

    • Maintain accuracy in striking notes, especially with heavy gestures.
    • Balance dramatic expression without overshadowing the rhythmic drive.
  • Loose Interpretation:

    • Approach the jazzy middle section with warmth and freedom.
    • Explore improvisation within the musical framework, maintaining warmth over complexity.

Conclusion

  • Final Execution:
    • Navigate tricky endings carefully; timing is everything to avoid rushing.
    • Remember that the essence lies in emotional delivery without losing sight of the structural needs.

Thank you for participating in today's lesson! Let's continue to explore the beauty of these pieces together.

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Meet your guru

Joanna MacGregor

Joanna MacGregor

Joanna MacGregor is one of the most wide-ranging and innovative musicians around, with a career spent connecting genres and defying easy categorisation. She has appeared in over sixty countries, performing with many of the world's great orchestras (including the New York Philharmonic, the London and Sydney Symphony Orchestras, Netherlands Radio, the Oslo Philharmonic and the Chicago Symphony Orchestra) and under eminent conductors such as Boulez, Davis and Rattle. Along the way she has premiered several landmark compositions, collaborated with leading jazz and pop artists from South African jazz to cutting-edge electronica, and devised multimedia projects that have toured internationally.

Joanna made her conducting debut in 2002 and regularly directs her own orchestral projects. She enjoyed a close artistic partnership as conductor and performer with the Britten Sinfonia, with whom she toured South America and created the acclaimed Moondog/Art of Fugue project - a radical re-working of Bach's late masterpiece alongside the music of the famous 1950s New York street musician, released as 'Sidewalk Dances'.

Her album 'Play', on her own record label SoundCircus, received a Mercury Prize nomination, and her teaching books 'Piano World' have been hailed as 'worthy of the new millennium'. She is also Artistic Director of the Bath International Music Festival.

In this course she guides you through Messiaen's monumental 'Vingt Regards sur L'Enfant-Jesus', sharing the insight, technique and interpretive imagination you need to bring one of the great works of the piano repertoire to life.

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