Lesson 12 of 20Alto SaxophoneIntermediate

Presidential March - Lesson

0:59

James Rae teaches two key ornaments - trills and mordents - using 'Presidential March', with tips for snappy mordents and steady trills on weaker fingers.

Copyright © 2023 Universal Edition (London) Ltd., All compositions by James Rae except where otherwise indicated.

Part of the courseSaxophone: Polish & Style20 lessons (0h 46m)

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What's in the course

20 lessons (0h 46m) · 1 free
    • 01. Trills, Acciaccaturas and Mordents - Introduction and Exercises

      5:16

    • 02. Don't Look Back - Lesson

      1:15

    • 03. Don't Look Back - Performance

      1:11

    • 04. Presidential March - Lesson

      You are here

      0:59

    • 05. Presidential March - Performance

      0:42

    • 06. Waltz For Sue - Performance

      1:27

Lesson transcript

Presidential March: Trills and Mordants

Introduction to Ornamentation
In this lesson, we will explore two essential musical ornaments: trills and mordants.

Mordants

  • Always play your mordants really snappily.

Trills

  • When you trill, think of it as bouncing a ball against the saxophone.
  • G and S trills can be challenging. However, with practice, they can be achieved.

Tips for Mastering Trills

  • We are dealing with quite a weak finger for these trills.
  • If you can execute a good G trill, you can master trills on any note.

Final Thoughts
Although mastering these ornaments can be difficult, it is worth the effort. Once you become comfortable with trills, you'll find that all other trills will seem easy in comparison.

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James Rae

James Rae

James Rae was born on Tyneside in 1957. He studied clarinet, bass clarinet, piano and composition at the Guildhall School of Music and Drama from 1975 to 1979, under professors Yona Ettlinger, Stephen Trier, Meriel Jefferson and Patric Standford respectively. Since leaving the Guildhall, he has pursued a highly successful and varied career across three areas: performing, writing and teaching.

James Rae has worked in many West End and Royal National Theatre productions, including Sir Peter Hall's award-winning Oresteia with music by Sir Harrison Birtwistle, and has received many freelance engagements with some of the country's leading orchestras and ensembles. He is the leader of the Phoenix Saxophone Quartet, who over the years have given many recitals and BBC broadcasts, and have recorded the complete works of Carey Blyton on two albums, 'The Return of Bulgy Gogo' and 'Sherlock Holmes meets Dr Who'.

As a composer, James Rae is one of Europe's most published writers of educational wind music, with over 250 publications to his credit, mainly published by Universal Edition. His music includes instrumental study books, sonatas, tutors, baroque, classical and jazz transcriptions, plus many volumes of duets, many of which feature on all the major wind examination syllabuses worldwide. He has also written four musicals for schools with Mike Cornick, and his larger commissions include The Turn of a Wheel, a major work for concert band that premiered in November 1999 for the North Tyneside Concert Band, of which he was a founder member as a boy, and the overture Moving On in 2012.

James Rae has worked extensively as a syllabus consultant and composer for both the Associated Board and Trinity College London, and has been highly involved in developing the woodwind sight-reading requirements for both exam boards. As a teacher, he has held many posts in both the state and independent sectors, and currently works at King's College School Wimbledon, where he directs the Wind Orchestra and Concert Band, and Shrewsbury House School in Surbiton, where he coaches three large bands and a chamber group. That teaching experience runs right through his saxophone series for MusicGurus, which takes you step by step from your very first notes to a confident, stylish player: First Notes, New Keys & Low Notes, Expanding Your Range, Scales & High Notes, Extended Range & Rhythm, and Polish & Style.

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