Lesson 8 of 12Acoustic GuitarIntermediate

If The Shoe Fits (lesson)

9:19
In this lesson, Kenny Sultan teaches you how to play the tune If The Shoe Fits on the acoustic guitar.
Part of the courseTraditional Blues Guitar Lessons12 lessons (1h 18m)

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What's in the course

12 lessons (1h 18m) · 1 free
    • 01. Slippin' And Drippin' (performance)

      Free lesson

      4:17

    • 02. Slippin' And Drippin' (lesson)

      10:29

    • 03. Lightning Strikes (performance)

      2:50

    • 04. Lightning Strikes (lesson)

      9:37

    • 05. Sick Boogie (performance)

      2:31

    • 06. Sick Boogie (lesson)

      8:56

    • 07. If The Shoe Fits (performance)

      4:18

    • 08. If The Shoe Fits (lesson)

      You are here

      9:19

    • 09. Honky Tonk (performance)

      3:49

    • 10. Honky Tonk (lesson)

      10:04

    • 11. Cascade Rag (performance)

      3:12

    • 12. Cascade Rag (lesson)

      9:14

Lesson transcript

Music Lesson: "If the Shoe Fits" in A

Our next song is called "If the Shoe Fits," and it's in the key of A. We're getting out of the key of E. Finally! I know some of you are probably thinking, "Thank goodness!" But E is the most common key. The next most common key for acoustic blues playing would be A.

Why A?

  • Sound: A has a nice, low sound.
  • Open Strings: It also has three open strings that we can use:
    • A (I chord)
    • D (IV chord)
    • E (V chord)

A lot of times, the D is a little wimpy, so I do different things with it. I'll show you what I mean.

Let's Play

So, let's play a bit of "If the Shoe Fits," and I'll explain some of the concepts.

  1. The Slide:

    • The first thing you notice is the slide, which is part of this A ninth chord.
    • I simplify it to look like a D seventh chord moved up three frets and up one string.
    • Start here, slide it up two frets, and back down.

    Tip:

    • When I slide, I aim for the fret to stop my movement, rather than looking for the middle. This helps avoid buzzing, so I glide right against the fret.
  2. Chords and Bass:

    • In my playing, I do a lot of back and forth between chords and bass. This keeps the music lively and prevents it from becoming monotonous.
  3. Transitioning to the D:

    • When going to the D, I discovered accidentally that by bringing this chord up five frets, it makes sense for moving to the IV chord:
      • I noticed that the open D was getting in the way, so I found the same three notes in a better position.
  4. Playing the E:

    • When I play the E chord in the key of A, I often utilize a hammer and pull technique.
    • You can opt for just one hammer, but to get a couple out, it can be quite rewarding.

    Technique:

    • Think of going right through the string into the wood, as though "swinging through" as in golf. The key is to act like the string isn't there.
  5. The D7:

    • On the D7, I sometimes don't fret the first string, just like with the B7 in the key of E. Sometimes I wrap my thumb over the top.

    • The bass is the F#.

    • Remember when I mentioned that the D was a bit wimpy? I prefer this method.

Improvisation

  • I'll play through it a couple of times and then improvise a bit, going up the neck.
  • Hear that little bend? Then back down with the D7.
  • This time, we go to A seventh for a Robert Johnson feel, and then a diminished back to the A7.

Important Note:

  • This is really just the seventh of the bar focusing on the three middle strings.
  • Many of you who fingerpick realize that bar chords don't work well. As a professional, I save that for electric guitar or strumming.

Chord Movements

  • Here's a quick recap of chord movements:
    • D7 right there.
    • C7 up to D, then E.

This C seventh position is very useful. You can move it down to C and up to D, then E.

Final Thoughts

  • F is a bit tricky for me, but I do an F seventh, and then G, working up the neck.
  • The goal is to use familiar first-position chords and move them up.

In this song, I'm using it for:

  • E7
  • D7

Remember: Whatever's easiest works best for me! If I learn an A7, I'll take that anywhere I can: B7, C7, D7, and E7.

Hope you enjoy "If the Shoe Fits!"

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Meet your guru

Kenny Sultan

Kenny Sultan

Kenny Sultan is a best-selling author of music books and instructional videos covering blues guitar, and is the guitarist in a blues duo with Tom Ball.

Together and separately they have worked on countless film scores, TV soundtracks, commercials and sessions. They've appeared on television internationally, were featured on the “Levi's 501 Blues” commercials, have played for audiences of 300 million via Voice of America and are frequent guests of National Public Radio. They've shared the stage with the likes of Bob Dylan, Stevie Ray Vaughan, The Allman Brothers, Joe Bonamassa, Ray Charles, Joe Cocker, Elvis Costello, and the list is long...

At home wherever they go, Tom and Kenny fit in at blues, folk, bluegrass and jazz festivals, and their extensive teaching backgrounds make them a natural choice for college campuses or venues that feature workshops. Because their music is a blend of American roots styles, they are regulars overseas, drawing rave reviews.

That same teaching pedigree is what you tap into here. Kenny guides you into traditional blues guitar from the ground up - fingerpicking patterns, alternating bass, turnarounds and the classic licks that define the style - so you build a real repertoire of authentic acoustic blues you can actually play.

“Stupendous playing.” --Blues Revue
“As good as anyone in acoustic blues.” --Sing Out

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