Lesson 3 of 20Music ProductionBeginner

Listening to the recording & analysis

In this lesson, Nik listens to his 1-mic recording of the drumkit and explains the pros and cons of using this technique.

Part of the courseRecord Live Drums Like A Pro20 lessons (2h 11m)

This lesson is part of the full course. 1 lesson is free to watch.

from$13/month

Explore the course
Cancel anytime30-day refund
Nikolaj BjerreYour guruNikolaj Bjerre

What's in the course

20 lessons (2h 11m) · 1 free
    • 01. How to record drums with a 1-microphone setup

      8:06

    • 02. Nik's control room setup & recording drums with Cubase

      9:58

    • 03. Listening to the recording & analysis

      You are here

      4:17

Lesson transcript

Music Lesson

All right, so let's have a listen and see how it sounds.

As you can see, there's only one track, it's one microphone. Obviously, I used my U87 for this. You can use pretty much any condenser mic, or even if you have a good quality dynamic mic, you can also use that. I've used the Shure SM7, but generally, I would say you get a better result with a condenser mic.

So whatever you have, try it out and see how it sounds. But let's have a listen to see how this sounds.


Lyrics:

You got a whole big bag of money.
You take it in your stride.
A smile won't cost you nothing,
not even for a while.
But I've got love,
I've got love on my side.

You live in way out west,
'Cause you think it's best in your thousand dollar room.
Will you telescope at you?
But I've got love,
I've got love on my.

And you can't take the heat.


As you can hear, it sits pretty nicely in the mix. It's not a perfect sound, but it's definitely usable. With a little bit of processing, this could probably sound pretty good, I would say.

I would not use this on a session, but as a technique to get ideas down, this is really good. You can hear the drum kit is pretty balanced. You can hear the kick, the snare, and the hats. It's a little bit roomy sounding because it's obviously a condenser mic and it picks up quite a lot of the room.

There are no close mics, but it's a very good quality sound of the drum kit, and it's easy to achieve. So there you go, you can use that. Even if you put a little bit of compression on it, it will probably sound a bit tighter and pop a little bit more.

Key Takeaways:

  • Very useful technique.
  • The drum kit is very balanced when you hear it.
  • With a bit of EQ and compression, you can get a really good sound out of it.

So, yeah, again, a very useful tool.


Now let's move on to three mics. We are going to close mic the kick and the snare, so we get a tighter sound, and we're going to use our U87 as an overhead. So that's three mics here.

$13/monthSubscription

20 lessons

2h 11m of structured video lessons

Advanced video features

Slow down, loop a passage, follow along

Mobile, tablet & desktop

Practise wherever you are

100% satisfaction guarantee

30-day money-back guarantee

Meet your guru

Nikolaj Bjerre

Nikolaj Bjerre

Nikolaj Bjerre is a Danish drummer and producer based at Tileyard Studios in London, who has worked with artists and bands including Lamb, the Ian Siegal Band, Ella Eyre and Heather Nova. His work spans live drumming, production, programming and writing, moving comfortably from organic, rootsy playing to cutting-edge electronic styles, and he is endorsed by Sabian, Hardcase and Protection Racket. In this course he shows you how to record live drums to a professional standard.

Nikolaj Bjerre
Pat Levett
Joe Glossop
Frank Doll
Katie Melua
Ed O'Brien
Imogen Heap
Adam Mishan
Chet Atkins

Learn from Nikolaj Bjerre and hundreds of others

Unlimited access, money back guaranteed

$13/month

Subscription