Anpassungen bei Take Nr. 1

Nikolaj Bjerre
Nikolaj Bjerre

Lesson time: (6min 52sec)

In diesem Video geht Nik zurück in den Regieraum, um sich seinen ersten Take anzuhören. Er entdeckt einige nötige Anpassungen und erklärt dir einige häufige Fehler und wie du sie behebst.

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This lesson is part of the course Nimm Live-Schlagzeug auf wie ein Profi
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Lesson transcript:

Music Lesson: Recording and Mixing Drums


Overview

In this lesson, we'll discuss the process of recording and mixing drum tracks, with an emphasis on identifying and correcting issues in the sound. We will focus on the kick drum, snare drum, and overhead mics and ensure they are properly aligned and leveled.


Kick Drum Issues

  • We've been recording a segment of the song, and I noticed that the kick drum is overloading quite a bit.

  • Upon soloing the track, the peaks of the waveform are heading above the ceiling, which overloads the input on the interface. This is not ideal.

    Steps to Rectify:

    • Gain Down: Lower the kick drum level.
    • Pad Adjustment: Since I play quite hard on the kick for this track, I need to pad it, which means lowering the input going into the preamp.

Snare Drum Check

  • The snare drum appears to have a nice healthy level on both channels:

    • Top Snare
    • Bottom Snare

    Next Steps:

    • Zoom in on the waveform to check phase alignment.
    • It's evident that the waveforms are out of phase. One waveform goes up while the other goes down, which leads to frequency cancellation, making the snare sound worse.

    Solution:

    • Activate the phase button on the preamp for the snare.

Checking Other Mics

  • It's important to double-check all other mics for any odd sounds.

    Process:

    • Solo each drum mic individually:
      • Sub Mic: Sounds fine.
      • Kick Drum Out: Sounds fine.
      • Snare Drum: Sounds fine.
      • Snare Bottom: Sounds fine.
      • Hi-Hat: Sounds good.
      • Toms:
        • Find a spot where toms are played, and do a quick check.
      • Floor Tom: All good.
      • Overheads: Verify phase alignment.
        • They appear to be in phase, both waveforms start down and follow each other.

Room Mics

  • Room Mics: Sound great.
  • Hall Micro:
    • Take any processing off. It's very quiet and we can hardly see the waveform.
    • Action Needed: Boost gain to enhance signal.
    • Ensure the pad is not engaged since it's far from the kit, requiring more gain.

Final Mic Check

  • Knee Micro: Has a nice healthy signal with plenty of headroom, so it won't overload.

Conclusion

  • We've listened to all individual channels and corrected a few issues.
  • Now, we're ready for another take to see how the drums sound after these adjustments.

About the instructor

Nikolaj Bjerre
Nikolaj Bjerre

Nikolaj Bjerre ist ein dänischer Schlagzeuger und Produzent mit Sitz in den Tileyard Studios in London, der mit Künstlern und Bands wie Lamb, der Ian Siegal Band, Ella Eyre und Heather Nova gearbeitet hat. Seine Arbeit umfasst Live-Schlagzeug, Produktion, Programmierung und das Schreiben und bewegt sich mühelos von organischem, wurzelig-geerdetem Spiel bis hin zu topaktuellen elektronischen Stilen; er wird von Sabian, Hardcase und Protection Racket unterstützt. In diesem Kurs zeigt er dir, wie du Live-Schlagzeug in professioneller Qualität aufnimmst. read more

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