Lesson 12 of 23PianoIntermediate

Minor harmony

3:55
Play I, IV and V chords in D minor in the left hand, and the harmonic minor scale
Part of the courseExploring Jazz Piano: Minor Triads23 lessons (1h 23m)

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What's in the course

23 lessons (1h 23m) · 1 free
    • 01. Playing off the beat

      3:06

    • 02. Minor harmony

      You are here

      3:55

    • 03. MONTUNO FOR MONTY Performance

      2:47

    • 04. Natural minor and harmonic minor scales

      6:36

    • 05. NATURAL MINOR WORKOUT Performance

      3:42

    • 06. Playing two-bar phrases

      3:56

Lesson transcript

Music Lesson: Learning a Minor Version of Coincidence Calypso

So this tune is a little bit like a minor version of Coincidence Calypso, which you remember was also in the key of D and used 1, 4, and 5 chords.

Structure and Chords

  • The difference is this is an 8-bar sequence, not a 4-bar sequence.
  • The V chord, I, and IV are both minor, and the V chord is major (or dominant).

Left Hand Technique

We're going to play chords in the left hand just to get used to that sequence. Maybe incorporate some five-finger positions in the right hand.

  • Let's leave the tempo the same as it was: G A.

The D minor and G minor were both straightforward minor five-finger positions with the B flat and the G minor.

A7 Chord Insight

Did you notice on the A7 I could have played this, which would have been 100% major, but I actually put a B flat in, which gives it a much more interesting, more exotic sound.

  • This sound comes from the D harmonic minor scale.
  • It's particularly useful to use that on the A chord because of the C sharp in that scale.

Key Signature and Expectations

It's got a B flat and a C sharp in it. The B flat is kind of desirable because we're in the key of D minor.

  • As you should know, the key signature is the same as the key of F major.
  • They both share one flat in the key signature.

So, we kind of expect to hear a B flat when we're playing in D minor, especially if we're going to the G minor chord. Over the A chord, we expect to have that B flat in there.

Chord Variations

You could play G7 in the left hand, which keeps it in the general D minor tonality, the sound of D minor.

  • If you don't like that, it's perfectly okay to play a B natural.

So you can try it either way.

Solo Section: Monte Uniformonte

In the solo section of Monte Uniformonte, the left hand doesn't actually play chords like that, but you can if you want.

  • The actual given left hand is more syncopated.
  • I extended those five-finger positions a little bit there.

Important Coordination

That's an important coordination if you want to get prepared for this tune. Just being able to go...

  • (Demonstrate)

is going to stand you in good stead.

Practice Recommendations

  • Do that with the three of the three chords, and practice the chord changes.
  • There are quite a few jumps in the left hand.

When you get to the solo, you'll have to be fairly quick to move from here to down, and jump back up, so jump with the third finger.

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Meet your guru

Tim Richards

Tim Richards

Critically acclaimed jazz pianist and composer Tim Richards is one of Britain’s most experienced jazz educators, teaching piano privately for over 30 years, as well as at Morley College, Goldsmiths College, the University of Surrey, Premises Studios and other venues in the UK and abroad. He has produced numerous titles for Schott Music, including the best-selling two-volume Exploring Jazz Piano, Blues, Boogie & Gospel Collection and the acclaimed Improvising Blues Piano. He is also co-author, with John Crawford, of Exploring Latin Piano and Brazilian Piano Collection.

More recently Schott have published Jazz, Latin & Modern Collection (15 pieces for solo piano), comprising Tim Richards originals alongside pieces by Duke Ellington and Thelonious Monk, and the two volume set Beginning Jazz Piano (now a two-part MusicGurus course).

“The real joy of Tim’s music… is that it is both hugely educational but also such great fun to play. Anyone with the slightest interest in learning to play or teach jazz piano should really acquire a set of Tim’s books.” PianoDao

As a performer Tim has been a presence on the UK jazz scene since the 1980s, also playing the blues with UK and US legends such as Otis Grand, Earl Green, Dana Gillespie, Larry Garner, Joe Louis Walker and Mojo Buford. He has released over a dozen albums as a leader (featuring many of London’s best jazz musicians including Pete King, Gilad Atzmon, Tony Kofi, Jason Yarde, Seb Rochford, Ed Jones, Dick Pearce and many others), and toured all over Europe with line-ups ranging from duo to nine-piece. His latest recording, the album ‘Telegraph Hill’ by the six-piece Hextet, was described in The Observer as "A true joy from beginning to end".

More info can be found on his website www.timrichards.ndo.co.uk

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