Lesson 16 of 23PianoIntermediate

Playing two-bar phrases

3:56

Tim Richards shows how to build two-bar phrases, starting on the 'and' of one or on two, to keep your place over an eight-bar form.

Part of the courseExploring Jazz Piano: Minor Triads23 lessons (1h 23m)

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What's in the course

23 lessons (1h 23m) · 1 free
    • 01. Playing off the beat

      3:06

    • 02. Minor harmony

      3:55

    • 03. MONTUNO FOR MONTY Performance

      2:47

    • 04. Natural minor and harmonic minor scales

      6:36

    • 05. NATURAL MINOR WORKOUT Performance

      3:42

    • 06. Playing two-bar phrases

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      3:56

Lesson transcript

Natural Minor Workout: Exploring Phrasing and Chords

In this lesson, we'll focus on the essentials of phrasing and chord accompaniment in the Natural Minor scale. Here's what we will cover:

Overview

I left you eight bars in every key to experiment with your own ideas while playing the left hand chords to accompany you. I hope you were able to keep track of the eight bars.

Keeping Track of Bars

The easiest way to manage this is to play two-bar phrases. As demonstrated in my improvised phrases:

  • Four two-bar phrases add up to eight bars.
  • If you play longer phrases, you may find it challenging to keep track of the form.
  • Losing track means you won't know when to change chords.

Tip: To build confidence, stick to two-bar phrases for now.

Practicing with Minor Triads

You could use this track to become more familiar with all your minor triads and their inversions. For instance:

  • Instead of starting as written, you could:
    • Move it down to a lower position
    • Vary that from key to key

Explore the inversions that sound best for each key.

Two-Bar Phrasing Ideas

Observe that I started every new key on the one. You can use this rhythmic template:

  • Play the same rhythm, but change the notes.
  • There are eight notes (including the target note).

Note: The target note is on the beat. You could:

  • Anticipate it
  • Vary the timing of the other notes as well, while still starting on one.

Target Notes: Success and Failure

Here's an example of a less successful target note.

  • I ended my phrase on F. That note doesn't fit with the A minor chord.
  • Ending on A minor with an F note is not effective.

Improvement:

  • You could adjust the phrase; even G would sound better than F.

Experimenting with Phrase Starts

We've started phrases on the one. Try:

  • Starting phrases in other places
  • Leading into each new key with a pickup note

For example, leading into G minor:

  • At first, it may sound wrong.
  • However, once you reach G minor in the left hand, it comes together.

This illustrates an example of forward motion.

Feel free to experiment with these ideas and notice how they impact your playing and phrasing! Keep practicing!

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Meet your guru

Tim Richards

Tim Richards

Critically acclaimed jazz pianist and composer Tim Richards is one of Britain’s most experienced jazz educators, teaching piano privately for over 30 years, as well as at Morley College, Goldsmiths College, the University of Surrey, Premises Studios and other venues in the UK and abroad. He has produced numerous titles for Schott Music, including the best-selling two-volume Exploring Jazz Piano, Blues, Boogie & Gospel Collection and the acclaimed Improvising Blues Piano. He is also co-author, with John Crawford, of Exploring Latin Piano and Brazilian Piano Collection.

More recently Schott have published Jazz, Latin & Modern Collection (15 pieces for solo piano), comprising Tim Richards originals alongside pieces by Duke Ellington and Thelonious Monk, and the two volume set Beginning Jazz Piano (now a two-part MusicGurus course).

“The real joy of Tim’s music… is that it is both hugely educational but also such great fun to play. Anyone with the slightest interest in learning to play or teach jazz piano should really acquire a set of Tim’s books.” PianoDao

As a performer Tim has been a presence on the UK jazz scene since the 1980s, also playing the blues with UK and US legends such as Otis Grand, Earl Green, Dana Gillespie, Larry Garner, Joe Louis Walker and Mojo Buford. He has released over a dozen albums as a leader (featuring many of London’s best jazz musicians including Pete King, Gilad Atzmon, Tony Kofi, Jason Yarde, Seb Rochford, Ed Jones, Dick Pearce and many others), and toured all over Europe with line-ups ranging from duo to nine-piece. His latest recording, the album ‘Telegraph Hill’ by the six-piece Hextet, was described in The Observer as "A true joy from beginning to end".

More info can be found on his website www.timrichards.ndo.co.uk

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