Lesson 6 of 28ViolinIntermediate

Horn riffs

3:09

Chris Haigh shows how to use the violin as a budget horn section, writing punchy, syncopated fiddle parts that sound like several brass players locked together.

© 2011 Schott Music Ltd, London

Part of the courseRock Violin Foundations28 lessons (2h 28m)

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Chris HaighYour guruChris Haigh

What's in the course

28 lessons (2h 28m) · 1 free
    • 01. Basic Rhythm 1

      Free lesson

      5:59

    • 02. Basic Rhythm 2

      10:00

    • 03. The "Twin Paths of Destiny"

      7:32

    • 04. Nobody Came (Performance)

      0:30

    • 05. Horn riffs

      You are here

      3:09

    • 06. Brassed Off

      1:27

Lesson transcript

Lesson Focus: Violin as a Budget Horn Section

In the last lesson, we looked at the violin as a budget string quartet. Now, we're going to explore the violin as a budget horn section.

Understanding Horn Sections

Horn sections typically consist of:

  • 2 to 6 brass players
  • Carefully arranged, punchy parts
  • Harmonized, locked-together sounds

Contribution to Songs:
Horn sections can make a significant contribution to a song. The fiddle can achieve a similar effect in a more budget-friendly way.

Creating Fiddle Horn Parts

When creating a horn part for the fiddle, consider the following:

  • Simplicity:
    Imagine not just yourself playing it, but three or four people playing in unison or harmony.

  • Percussiveness:
    The rhythm should have a strong, percussive quality.

  • Space:
    Ensure there is plenty of space within the arrangement.

  • Syncopation:
    Incorporate syncopated rhythms to add interest.

Examples of Fiddle Horn Parts

  1. Using Octaves:
    This technique can help to fatten up the sound.

  2. Harmony of Twin Paths:
    Let's hear that in conjunction with the chords.

A Note on History: Dex's Midnight Runners

Before we play the final tune in this lesson, it's important to mention a band called Dex's Midnight Runners.

  • Era:
    1980s in Britain, led by Kevin Rowland.

  • Musical Style:
    They had an unusual, ragtag, folky lineup but achieved hits, including "Come On Eileen," featuring a banjo and a brass section.

Interesting Anecdote:
At one point, Kevin Rowland wanted to include a fiddle section alongside the brass. He brought in three fiddle players and was so impressed with the fiddles that he suggested the brass section relearn and incorporate cello and viola. Understandably, the brass players were frustrated and decided to leave, resulting in a fiddle section without the brass.

Final Tune: Commemorating the Fiddle vs. Brass Battle

We're finishing off with a little tune that commemorates the epic battle between the fiddle section and the brass section in Dex's Midnight Runners.

Your Assignment

  1. Brass Parts:
    Using the G and D backing chords, try to create your own brass parts.

  2. Learning "Brass Doff":
    Look at the tune that we just played and see if you can learn it.

  3. Pop Songs Practice:
    Find some pop songs you know and try adding your own brass section fiddle parts to those songs.

Happy practicing!

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Meet your guru

Chris Haigh

Chris Haigh

Chris Haigh has been a professional fiddle player for 25 years, with experience covering many different genres. He has played on over 75 albums, working with artists including Alison Moyet, Bob Geldof, All About Eve, Michael Ball, David Soul, Oumou Sangare, The Quireboys, Riverdance, Morcheeba, James Galway and Steps.

He has played swing jazz with The Kimbara Brothers, Diz Disley, Le Jazz, The Hot Club of London, and the Quecumbar Allstars, and leads a 7-piece Soviet swing band, The Kremlinaires.

Chris gives lessons and workshops on jazz violin technique and has taught jazz violin at Middlesex, Brunel and Newcastle universities and Truro College. His writing credits include nine fiddle books, among them The Fiddle Handbook.

He also runs Fiddling Around (fiddlingaround.co.uk), probably the most comprehensive and widely visited source of fiddle information on the web.

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