Lesson 5 of 7DrumsBeginner

Moving the snare & ghost notes

8:19

Max Sedgley shows how to move the snare to new spots in the bar and add quiet ghost notes between the backbeats to fill out the groove.

Part of the courseBack To Basics Drumming7 lessons (1h 6m)

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Max SedgleyYour guruMax Sedgley

What's in the course

7 lessons (1h 6m) · 1 free
    • 01. The Billie Jean - the "backbeat"

      Free lesson

      9:39

    • 02. Spicing up the basic backbeat

      9:07

    • 03. Simple fills

      7:11

    • 04. Doubling up your hihat beats

      10:45

    • 05. Moving the snare & ghost notes

      You are here

      8:19

    • 06. Swinging the beat

      10:04

    • 07. Double stroke rolls & paradiddles

      11:51

Lesson transcript

Drumming Lesson #5: Ghost Notes and Snare Positioning

Hi there, I'm Max Sedgeley, and I'm here as part of the music gurus.com back to basics drumming lessons. Today is drumming lesson number five of the beginners course. We're going to focus on:

  • Moving the snare around
  • Ghost notes on the snare drum

Understanding Ghost Notes

Ghost notes are essentially little hits that are a lower volume than the main backbeat. In our previous lessons, we learned that the snare is typically played on the two and four backbeats. Now, we'll add ghost notes between those beats to enrich the sound and fill out the groove. This technique is prevalent in various music genres.

Example of Ghost Notes

Here's a quick example using a beat from lesson two. You'll play the same beat, but now you'll incorporate ghost notes, which sound like this:

  • Your left hand mimics the snare while your right hand plays the hi-hat.
  • The left hand fills in gaps between the existing beats.

Practice Tips

When practicing, focus on:

  • Even spacing in the timing of the notes.
  • Playing ghost notes at a lower volume than the main backbeat.

Varying Your Technique

You can also vary the position on the drum:

  • Backbeat: Usually in the middle or about an inch or two from the edge.
  • Ghost notes: Play closer to the edge for a different sound or softer in the same spot.

Try playing right on the edge if it feels right for you, but remember to keep your main beats (2 and 4) consistent.

Volume Dynamics

  • Start with a loud hi-hat and a quiet snare.
  • Practice swapping the volume levels between each hand.

Remember the Basics

The ghost note is called a "ghost" because it's the shadow of the normal backbeat. Typically, you'll have:

  • Quiet on the snare
  • Louder on the hi-hat

Experiment with placing ghost notes in various spots, and you'll discover where they fit best in your style.

Finding the Right Balance

Keep in mind that:

  • Less is more: A few well-placed ghost notes can be more effective than overusing them.
  • Your style and the genre of music will influence how and when to use ghost notes.

Practice Integration

It's common to place a ghost note at the end of a bar, leading into the next bar, like so:

  • Count: 1, 2, 3, 4. 1, 2, 3, 4, E.

Start by practicing the hi-hat eighths alone, hitting the snare on different beats. Once you add in the kick drum, the rhythm will start to gel.

Advanced Techniques

You can even play a ghost note simultaneously with other notes, which will develop as your style and playing evolve.

Final Thoughts

Experiment, practice, and have fun with these techniques!

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Meet your guru

Max Sedgley

Max Sedgley

Max Sedgley is a British producer, drummer and DJ with a degree in classical music. His compositions have featured on numerous TV programmes and adverts, including the series Six Feet Under, and he was the drummer for drum & bass producer Roni Size. He also records under the name Cadien.

In his courses he teaches drumming from the ground up - sticking, core grooves and the eight-note rock pattern - and the iconic 60s and 70s drum breaks that have been sampled into countless modern records.

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