For You (analyse)
La version pro de Harry Pope du morceau 'For You' du Grade 2 Rockschool, un groove R&B et hip-hop bâti sur une grosse caisse régulière et un feel constant.
Le contenu du cours
28 leçons (2h 7min) · 1 gratuites
01. Georgia On My Mind – Ray Charles
2:38

02. Maggie May – Rod Stewart
1:31

03. Relegation Riddim – Bugzy Malone
1:19

04. Heard it through the Grapevine – Marvin Gaye
1:20

05. Losing my Religion – REM
1:26

06. Passionfruit – Drake
1:14

07. Bleach
1:19

08. Dora and Bootsy
Leçon gratuite1:32

09. Cuba Mama
1:21

10. For You
1:26

11. Slipstream
1:20

12. Y'all
1:29

01. Heard it through the Grapevine – Marvin Gaye (Analyse)
7:22

02. Losing my Religion – REM (Analyse)
10:19

03. Georgia On My Mind – Ray Charles (Analyse)
10:42

04. Maggie May – Rod Stewart (analyse)
10:40

05. Passionfruit – Drake (analyse)
8:18

06. Relegation Riddim – Bugzy Malone (Analyse)
11:10

07. Bleach (Analyse)
12:19

08. Dora and Bootsy (Analyse)
4:16

09. Cuba Mama (Analyse)
3:46

10. For You (analyse)
Tu es ici2:51

11. Slipstream (analyse)
7:01

12. Y'all (Analyse)
8:49
Transcription de la leçon
Grade Two Rock School Lesson
Okay, so for you, Grade Two Rock School,
It's a cool piece. It's an RB tune with a bit of hip hop and house influence, which is really, really cool. As with all electronic-influenced genres, it's crucial to be steady and consistent.
Key Points to Note
-
Bass Drum Technique
The first thing I would immediately note is that there's a point in this tune where the bass drum transitions from playing on beat one and a couple of accents on three or three and to playing all four quarter notes throughout the bar.- At that point, you're really kicking the groove up a notch.
- It's essential to be steady. Try not to speed up, just really sit on that groove, and it will all sound great.
-
Simplicity in Performance
This piece is a fantastic illustration of how good things can sound when you play something simple really well.- Whenever I play any music in a club or dance hall, and I start playing just four beats on the bass drum, you can immediately see people moving.
- You need to be really, really consistent with it. The bass drum is the most important part of that groove.
-
Staying Consistent
When you move to the ride, again, stay really consistent. Remember that the drumming on an RB or hip-hop track may well be programmed; it may not even be real drums.- They'll be programming the same sound over and over again.
- You want that groove to flow smoothly, rather than sounding like a rock piece.
Additional Tips
-
Crash Cymbals
When you hit the crash cymbals on all four beats, you do that twice in the whole piece.- Be really thoughtful about how you hit them, be loose and try to get a full sound from it.
- You want volume behind it, and all at the same volume as well, as this is really important.
-
Open Hi-Hats
The open hi-hats need to be sizzling.- Aim for a really clean sound coming off on beat one; this will elevate your groove to a professional level.
Reminder
There's no reason why I couldn't go out and play any of this stuff at a gig and have people dancing. It would really work. Other than that, just be solid!
- Practice with a metronome.
- Listen to your teacher.
I'll see you soon! I hope you enjoy it.
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