The Dock of the Bay – Otis Redding (analyse)
Lesson time: (3min 27sec)
Paul Elliott décompose la partie de batterie de niveau Debut de 'Dock of the Bay', un morceau de soul doux avec un feeling de croches droites et des charlestons sur le deux et le quatre.
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This lesson is part of the course Rockschool Batterie Debut
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Lesson transcript:
Teaching "Dock of the Bay" - A Music Lesson
Introduction
Okay, let's take a look at Dock of the Bay, or Sitting on the Dock of the Bay to give it its correct title. This features the great Al Jackson Jr. on drums. It's a classic soul tune.
Tempo and Feel
- It's a very gentle piece with a straight ahead, eighth note feel at a slow tempo.
- Important: Get that time feel before you come in.
Counting Technique
- We've got these two and four closed hi-hat hits. Feel the time!
- What I do in the performance is count the eighth notes, even while playing quarter notes.
- Think:
- 1, 2, 3 and 4 and
- 1, 2 and 3 and 4 and
- 1
There's a lot of space at this tempo. As a feel concept, it's pretty much eighth notes all the way through.
Section Overview
- This is a debut tune, so we don't have any tom fills, open hi-hats, or cross cymbals.
- Essentially, I'm just looking to keep steady eighth note time.
- Pay attention to the variations in the bass drum pattern:
- Look for subtle changes in the bass drum patterns between the A, B, and C sections.
- Note the unison at the end of the B section: two bass drums, two snare drums with the hi-hat.
- In the C section, watch for a change in bass drum patterns, especially towards the end, which finishes on a bass drum and a hi-hat.
Playing Style
From a feel perspective, this is just very gentle.
- I don't play too heavy on this tune; I'm keeping it really relaxed.
- I use a certain kind of dynamic hi-hat technique:
- I avoid playing too monotone on the hi-hat.
- I won't play a huge snare drum figure or a big bass drum figure.
- It's all about maintaining a relaxed feel.
Performance Techniques
- Center Snare: I'm going to play center snare; no big rim shots are necessary at this grade.
- I will use a nice hi-hat technique that includes a lilting accent:
- Count: 1, 2, 3, 4
- It's not essential to use that technique, but it gives a nice balance of sounds for a relaxed feel.
Grip and Balance
For the snare drum, I'm going to use traditional grip.
- This technique feels nice, gentle, and easy; it achieves a balanced sound.
- Remember, these techniques are personal; if I were to play this tune, that's how I would approach it.
Conclusion
Great! Have fun with this tune. See you soon!




