La gamme pentatonique
Lesson time: (5min 33sec)
Une introduction aux licks vocaux et à la gamme pentatonique sur laquelle ils reposent, en commençant par les fondamentaux avant les runs plus spectaculaires.
Course preview
This lesson is part of the course Licks, riffs & runs pour chanteurs de pop
Watch a preview of the full course below.
Lesson transcript:
Music Lesson: Mastering Licks
So this lesson is all about licks, and I have a feeling that a few of you have been waiting for this one, because this is where it gets really impressive.
We all love to look at singers that can sing notes really fast and, you know, really flashy. Singing like that can sometimes be very appealing straight off the bat.
Common Sentiments About Licks
That said, I hear a lot of singers who say:
- "I don't sing licks."
- "I'm not very good at them."
- "I just can't do it."
So if you feel that way, hopefully, this lesson will help to break down a few of the things that can make licks a little easier. Rest assured, we are going to start with some foundational concepts before moving to more challenging material.
What is a Lick?
Firstly, what is a lick? There are a few different things we call a lick. Some people refer to it as melisma, which is an ancient term used in classical music to describe fast runs of notes that are sung legato or smoothly.
However, many people will call them:
- Riffs
- Licks
- Runs
But whatever you want to call them, they are a stream or string of notes that are sung together. They are often conceived to be really fast.
Fast Singers
There are lots of fast singers out there. For example, Jasmine Sullivan sings licks super fast. However, that does not necessarily need to be the case. Bands like Destiny's Child actually started slowing licks down, and they sounded stylish just like that.
Approaching Licks
We want to show you different ways of approaching licks, and we're going to focus on a very important scale for contemporary singers: the pentatonic scale.
Understanding the Pentatonic Scale
You might have heard of that scale, and rightly so. It is used all the time.
- "Pent," meaning five
- "Tonic," meaning tones
So it literally means five tones. For example, in C major, the notes are:
- C
- D
- E
- G
- A
These five notes are your scale degrees in the major pentatonic scale.
Minor Pentatonic Scale
If I were to play a minor pentatonic scale, I wouldn't just flatten the third like you would in a normal minor scale. Instead, I start at a different note in that major pentatonic scale.
If I start the same scale at A, I get this: all the same notes, just starting in a different place.
Now, don't get too strung up with that, but you'll become very familiar with the scale as we move on.
The Appeal of Pentatonic Scales
The reason we use pentatonic scales so much is that they offer more than just stepwise melodies; they have intervals that make things more exciting.
Singing the Major Pentatonic Scale
So first, we're going to start by singing the major pentatonic scale to get it into our heads. I have Alicia back for this lesson, which I'm very excited about!
Let's sing it together on "ma."
-
Slowly:
- 1, 2, 3:
- "ma, ma, ma, ma, ma, ma, ma, ma, ma."
-
Faster:
- 1, 2, 3, 4:
- "ma, ma, ma, ma, ma, ma, ma, ma, ma."
-
Double Time:
- "ma, ma, ma, ma, ma, ma, ma, ma, ma."
And again at home:
- "ma, ma, ma, ma."
Getting used to that sound helps when you need to get a little more advanced.
Technical Tips for Singing Licks
In a moment, I'm going to teach you a lick based on the pentatonic scale, but first, here are a few technical tips:
-
Body Movement:
- Ensure your body can move freely. If anything is tight or stiff, it will impede your ability to execute a fluent pentatonic lick. Areas like the jaw, tongue, shoulders, and even the face can carry tension.
-
Start Slow:
- In music, everything needs to start slowly to ensure accuracy. Once you're comfortable, gradually build up the tempo. Starting too fast often leads to inaccuracies.
-
Break it Down:
- Don't try to learn a big lick all at once. Take even two notes at a time and focus on getting those right. Ensuring good pitch and comfort in your body lays a solid foundation for when you come to join everything together.
Now, let's get started!
About the instructor

Jono McNeil a assuré le coaching vocal de chanteurs professionnels, d'artistes contemporains et de vocalistes dans toute une série de postes influents au sein de l'industrie du divertissement pendant plus de 20 ans. Il travaille comme coach vocal sur diverses émissions de télévision, notamment The Voice Kids, The Voice UK, Little Mix The Search, The Masked Singer, Wedding Day Winners et Change Your Tune, et accompagne des artistes en tournée comme JLS, New Rules et July Jones, pour n'en citer que quelques-uns. Artiste et chanteur à part entière, Jono s'est également produit aux côtés de Michael Buble, Paloma Faith, Josh Groban, Nelly, Jamie Cullum, Lemar, George Ezra et Jocelyn Brown, et plusieurs de ses albums originaux sont disponibles sur les plateformes de streaming. Il associe son expérience de la scène et du studio d'enregistrement à une compréhension approfondie du fonctionnement vocal pour offrir des expériences de coaching efficaces et inspirantes. Il a auparavant été responsable du chant à l'Academy of Contemporary Music (ACM), où il enseignait et concevait les contenus du cursus de chant du diplôme en musique populaire, et il continue aujourd'hui à travailler comme examinateur externe pour d'autres institutions académiques telles que le Leeds Conservatoire. Passionné par les possibilités de la musique populaire et de l'art, il mène des recherches et développe des stratégies innovantes pour les concrétiser ; ses diplômes universitaires comprennent une licence en Jazz et un master en Pédagogie Vocale. Dans Licks, Riffs & Runs for Pop Singers, Jono te montre exactement comment ajouter les runs, riffs et licks agiles qui définissent le chant pop moderne, afin que tu puisses orner une mélodie avec assurance et la faire tienne. read more




