Leçon de conclusion
Lesson time: (1min 30sec)
Laurence Juber conclut le cours, en expliquant comment il varie ses arrangements en concert et pourquoi la tablature peut différer légèrement de ce qu'il joue.
Course preview
This lesson is part of the course Composer et arranger pour guitare seule
Watch a preview of the full course below.
Lesson transcript:
Conclusion of the Lesson
Well, I hope you've enjoyed the lesson.
I'll admit that I don't always play things exactly the same twice in a row. So if you find any discrepancies in the tab, that could be for a few reasons:
- On the record, perhaps I played it a little more accurately.
- Maybe I played it more accurately here.
- Or, I just kind of went off on a flight of fancy.
But that's my prerogative as an artist, I guess.
You can find me at lawrencejuber.com, or on MySpace as LJGitarist.
Connect and Ask Questions
I have a forum on my website, so if you have questions, please feel free to reach out. I'm happy to respond to anything related to the material covered in this video.
If I'm not on the road and away from my computer, I'll make sure to reply!
Guitar Information
Today, I've been playing on my prototype Martin OM18, the LJ signature model, which features Madagascar rosewood.
This is the mahogany version I provided, the one that has the position dots on the fingerboard to make your life a little easier.
It's been my pleasure, and I'll see you next time. Thank you very much!
About the instructor
Laurence Juber s'est d'abord fait connaître comme guitariste principal des Wings, le groupe de Paul McCartney. Depuis, il a bâti une carrière de guitariste fingerstyle, compositeur et arrangeur, travaillant essentiellement en accordage DADGAD, ce qui lui a valu le surnom de 'the Duke of DADGAD'.Élu Guitariste de l'année par les lecteurs de Fingerstyle Guitar Magazine et cité parmi les meilleurs guitaristes par le magazine Acoustic Guitar, il affiche aussi une longue liste d'albums solo et de tournées à travers le monde.Dans ses cours, il enseigne sa technique fingerstyle et l'accordage DADGAD qui l'a rendu célèbre, comment agencer mélodie, harmonie et basse pour la guitare solo, et les morceaux - comme sa pièce phare 'Wooden Horses' - qui réunissent le tout. read more