Obtenir un son funk authentique à la guitare
Lesson time: (11min 42sec)
Simon Bartholomew des Brand New Heavies explique comment obtenir un son de guitare funk authentique et évoque les musiciens aux racines jazz, comme Wes Montgomery, qui ont façonné le style.
Course preview
This lesson is part of the course Apprends les fondamentaux de la guitare funk avec The Brand New Heavies
Watch a preview of the full course below.
Lesson transcript:
Exploring Funk and Jazz Influences in Guitar Playing
The Birth of Funk and Jazz Fusion
At the time when funk was emerging, it was also coming out of a significant jazz scene. A lot of jazz had been happening, and many funk players wanted to delve deeper into jazz.
- Wes Montgomery: Known for his octave style played with his thumb, he was an incredible player. His techniques were not overly complicated.
- George Benson: Later employed similar techniques in his playing.
The Impact of Iconic Musicians
James Brown often featured guitarists in his shows, asking them for "a bit of Wes" to elevate his performances.
Jimi Hendrix's Funk Influence
- Jimi Hendrix touched on funky elements, exemplifying skills in rhythm.
- The essence of true funk lies in a stripped-back, prevalent beat.
Iconic Riffs
The guitarist in James Brown's band nailed a particular riff that can be played over virtually anything, including house music.
"Always smile when you're playing and look into people's eyes. That's really important."
- Maintain a confident posture: shoulders back, head straight, and keep the funk alive.
- Notable guitarists to explore include:
- Earth, Wind and Fire
- Kool & The Gang
Techniques in Funk Guitar
Playing in funk involves either chords or picking. The picking technique is particularly useful for moving into jazz funk.
James Brown's Influence
One can draw inspiration from James Brown's groove, like in the song "Baby, Give It Up or Turn It Loose." Here's how to develop a rhythm:
- Start in any key and feel the flow.
The Evolution from Funk to Disco
Funk's evolution saw it waning as the disco scene emerged, yet it was incorporated back into the disco sounds through:
- Timpanis
- Strings
However, the break in a song would catch the attention of hip-hop artists, leading to the creation of tracks that started with beats.
"It originally was ah F Off, which became Freak Out. Le Freak say Chic and Ain't that a Story Adversity Once Again."
This iconic record blew them up and led them to produce for artists like Madonna, Bowie, and Sister Sledge.
Guitar Selection for Funk
Let's take a moment to introduce you to the Fender Stratocaster:
- An excellent choice for funk with its bright sound.
- Comparatively, a Les Paul has a bassier tone and is also suitable for rock.
The Meters: Early Funk Inspiration
Reflecting on riffs from bands like the Meters can offer insights into early funk's simplicity, often consisting of just drums and bass.
- Music is best created collaboratively, in a room filled with friends rather than enemies.
The Essence of Groove
Pleasure in music drives creativity and success. With the Brand New Heavies, there's an element of repetition but also a constant reinvention.
- Intensity can vary based on the crowd:
- If someone plays loudly, you may respond with increased volume, and vice versa.
Technical Insights for Playing
Using the same gear as Nile Rodgers can yield recognizable sounds:
- Simple riffs that are clear and pure often resonate in pop songwriting.
Developing the Groove
The groove is pivotal; it emerges when everyone fits together seamlessly. It's akin to a heartbeat that continues until it stops. When crafting a tune, like "Sweet Freak," focus on:
- Minimalism: Stripping down elements to allow vocals and drums to breathe.
- The Chug Technique: Utilize basic up and down movement on the strings.
Amp Settings for Funk Guitar
A top tip regarding amplifier sound:
- Since the Stratocaster produces a thinner sound, warming up the amp is advisable:
- Experiment with smaller amps (around 22 watts) to achieve more drive while maintaining clarity.
Adjusting the master volume down and turning the other volume up can help introduce a slight distortion, ensuring your sound cuts through nicely without being overly clean.
"It just makes it cut through a bit better than just a straight, clean sound."
By applying these principles and techniques, you can enhance your funk guitar playing and develop a unique sound that resonates with audiences.
About the instructor

Simon Bartholomew est le guitariste du groupe britannique de funk/pop/soul The Brand New Heavies — un groupe connu pour jouer de ses propres instruments en live plutôt que de s'appuyer sur la programmation informatique contemporaine. Cet engagement pour un jeu réel, bien calé dans le groove, est précisément ce qui fait de lui un si bon guide pour la guitare funk, et le producteur Mark Ronson a un jour dit à Simon que Nile Rodgers et lui étaient ses guitaristes préférés. Aux côtés de son camarade de groupe Andrew Levy, Simon écrit, produit, mixe et supervise le fonctionnement d'un groupe pleinement actif, qui tourne et enregistre. Les deux se sont rencontrés au lycée et, après avoir entendu du funk au club The Cat In The Hat, ont commencé à faire des bœufs ; une fois que les DJs du club ont passé l'un de leurs morceaux, 'Catch That Beat', depuis une cassette, le groupe a entamé son illustre parcours. De ces débuts à Londres jusqu'aux voyages à travers les États-Unis et le Japon, le groupe a pour ainsi dire fait le tour du monde, contribuant à porter la scène naissante du Hip Hop à Los Angeles et New York et devenant les principaux tenants du mouvement Acid Jazz du début des années 90. The Brand New Heavies affichent des ventes de disques de platine et d'or sur leurs nombreux albums et ont vu plusieurs de leurs chansons figurer sur des bandes originales de films — notamment Happy Feet, qui a utilisé une chanson de leur album Heavy Rhyme Experience, cité comme le premier album de rap ayant fait appel à un groupe live. Les influences musicales de Simon sont profondes et vastes : Blues, Jazz, Soul, Rock, Punk, Psychédélisme, Prog Rock, Classique et Classic Rock — et à peu près tout le reste, des groupes et orchestres live partout à la télévision pendant son enfance à la musique plus rare qu'il a découverte dans le John Peel Show et à travers les collections de disques de ses amis. Tout en continuant de tourner et d'enregistrer avec The Brand New Heavies, il a aussi écrit de la musique pour des documentaires et travaillé sur des projets tels qu'Akimbo et 1ibear, avec d'autres en préparation. La mission de Simon est de fusionner le Rock et le Funk et, comme il le dit : 'Il y a du funk dans tout, il suffit de le chercher et de le ressentir.' C'est exactement l'esprit qu'il apporte à Learn the Fundamentals of Funk Guitar with The Brand New Heavies. read more




