Les premières influences de la guitare rock

Simon Bartholomew
Simon Bartholomew

Lesson time: (6min 46sec)

Simon Bartholomew parle du rock and roll, du skiffle et du blues des débuts des années 50 qui l'ont accroché à la guitare.

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This lesson is part of the course Apprends les fondamentaux de la guitare funk avec The Brand New Heavies
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Lesson transcript:

My Musical Journey: The Roots of Rock and Roll

My first real passion in music was kind of 50s Americana rock and roll. This was in the 70s. At the time, there wasn't really much rock and roll around. There were a few bands copying rock and roll, but I wanted to get back into the original stuff.

When I heard it, it gave me this incredible energy. I think really it's the energy of post-war America booming, and this sound was emerging from the swing bands into a new genre called rock and roll, which was quite a threat to society in America. It was rebellious and a bit teenage. I was around 11 or 12 years old when I first started getting guitar lessons.

Discovering Rock and Roll

Unfortunately, my teacher was able to teach me rock and roll, so I learned the songs I wanted to hear, things like "Summertime Blues." I played electric notes in there, but that stuff really got me excited. Bands like The Who were also influenced by this music.

In many ways, my influences are very similar to those of rock bands like Led Zeppelin and The Yardbirds, who were also digging back into the early blues. My dad was a big fan of a guy named Leadbelly, who sang cotton-picking songs, blues, and folk songs. He wrote "Rock Island Line," which is significant because it contributed to the skiffle movement that led into early rock music.

The Skiffle Craze

During this time, if you were poor, you might have an acoustic guitar, a washboard for rhythm, thimbles, and a bass made out of a broom handle and a piece of string. The skiffle music craze took off in the UK. It was reminiscent of early blues, with its rhythm and blues vibe.

I started collecting records and loved it all:

  • Gene Vincent
  • Eddie Cochran
  • Chuck Berry
  • Fats Domino

Then, there was a rebellious rock and roll show called Cruisin' on Capitol Radio. I used to record it on my little cassette machine, playing it back again and again to discover more R&B and a bit of doo-wop.

Jazz Influences

My mum was not heavily into jazz, but she loved artists like Charlie Parker, Lionel Hampton, and Nelly Lutcher. She would take me to Pizza Express in Soho, where I'd sit through jazz performances. I didn't really get it at the time, but it all absorbed into me.

In the beginning, I got my first guitar, a £26 acoustic guitar. I recommend starting on an acoustic guitar because they're harder to play and they hurt your fingers more. You don't want to start with something easy and then go backward. They're also useful for traveling and represent where the blues comes from.

Early Guitar Lessons

On the acoustic guitar, you tend to play more open chords. I learned tunes like "Peggy Sue." Initially, the chords were hard to get used to, but it was really my right hand (if you're right-handed) that became the master of delivering funk and all sorts of music.

One tune, "Peggy Sue," had some really fast passages. It was challenging to wrap my head around back in the day. There were also blues elements coming in that resonated with me deeply, and the feelings those songs evoked were incredible.

Personal Style and Influence

I was starting to get into dressing up, which I'm still passionate about today. It was all about luminous socks and Brill Cream in my hair. I had this one album called The Many Sides of Rock and Roll, which featured the original versions of songs. Inside the gatefold sleeve was an ad for Levi's jeans, featuring a guy standing with a guitar in his stay-pressed Levi's, foot on a box.

I imagined myself in the playground, playing guitar and surrounded by girls, that's one of the reasons I started playing guitar.

It's not just about music; it's about style and your presence. One of the first things I learned was a crucial blues riff. It might not have been brilliant, but that kind of blues thing would give me shivers up my spine.

Listening to it while playing, it had that upstroke that created a funky vibe, simple yet impactful, perfectly fitting within the music.

About the instructor

Simon Bartholomew
Simon Bartholomew

Simon Bartholomew est le guitariste du groupe britannique de funk/pop/soul The Brand New Heavies — un groupe connu pour jouer de ses propres instruments en live plutôt que de s'appuyer sur la programmation informatique contemporaine. Cet engagement pour un jeu réel, bien calé dans le groove, est précisément ce qui fait de lui un si bon guide pour la guitare funk, et le producteur Mark Ronson a un jour dit à Simon que Nile Rodgers et lui étaient ses guitaristes préférés. Aux côtés de son camarade de groupe Andrew Levy, Simon écrit, produit, mixe et supervise le fonctionnement d'un groupe pleinement actif, qui tourne et enregistre. Les deux se sont rencontrés au lycée et, après avoir entendu du funk au club The Cat In The Hat, ont commencé à faire des bœufs ; une fois que les DJs du club ont passé l'un de leurs morceaux, 'Catch That Beat', depuis une cassette, le groupe a entamé son illustre parcours. De ces débuts à Londres jusqu'aux voyages à travers les États-Unis et le Japon, le groupe a pour ainsi dire fait le tour du monde, contribuant à porter la scène naissante du Hip Hop à Los Angeles et New York et devenant les principaux tenants du mouvement Acid Jazz du début des années 90. The Brand New Heavies affichent des ventes de disques de platine et d'or sur leurs nombreux albums et ont vu plusieurs de leurs chansons figurer sur des bandes originales de films — notamment Happy Feet, qui a utilisé une chanson de leur album Heavy Rhyme Experience, cité comme le premier album de rap ayant fait appel à un groupe live. Les influences musicales de Simon sont profondes et vastes : Blues, Jazz, Soul, Rock, Punk, Psychédélisme, Prog Rock, Classique et Classic Rock — et à peu près tout le reste, des groupes et orchestres live partout à la télévision pendant son enfance à la musique plus rare qu'il a découverte dans le John Peel Show et à travers les collections de disques de ses amis. Tout en continuant de tourner et d'enregistrer avec The Brand New Heavies, il a aussi écrit de la musique pour des documentaires et travaillé sur des projets tels qu'Akimbo et 1ibear, avec d'autres en préparation. La mission de Simon est de fusionner le Rock et le Funk et, comme il le dit : 'Il y a du funk dans tout, il suffit de le chercher et de le ressentir.' C'est exactement l'esprit qu'il apporte à Learn the Fundamentals of Funk Guitar with The Brand New Heavies. read more

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