Construire des lignes de basse, du point A au point B, brève théorie du mouvement des fondamentales, 8 options d'approche
Lesson time: (2min 35sec)
Construire des lignes de basse, c'est en réalité aller du point A au point B. Bruce montre comment relier les accords avec 5 exemples différents qu'il développera dans le reste du cours.
Course preview
This lesson is part of the course Grooves contemporains à la basse électrique
Watch a preview of the full course below.
Lesson transcript:
Building Bass Lines
Okay, now we're going to talk about building bass lines, and then we can put that with the rhythm.
Key Concepts
- Building bass lines is really about getting from point A to point B.
Chord Changes
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In the first example, you've got:
- Four beats per change for each chord change.
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In example two:
- I purposely made the chords only two beats each to show different ways to connect them.
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In the third example:
- The first chord is eight beats, the second one is four, and the third one is four.
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Example four has:
- Eight beats each for the chords.
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Example five consists of:
- Two beats each for the chords.
Differences in Examples
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The difference between example five and the others is that:
- Example five, as you can see, has the chords moving by step:
- D, E, F, and then back to E again.
- Example five, as you can see, has the chords moving by step:
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In contrast, for F7 in example four:
- It moves from B flat 7, either down a fifth or up a fourth.
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In example three:
- G moving to C is either down a fifth or up a fourth.
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D is a step from C, but a fifth from G.
- Bringing it back here, we have:
- C to F
- Then we have down a third: D to G.
- Bringing it back here, we have:
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Each of these sets of changes are either a fifth or a fourth apart.
Cycle Five Motion
- We'll talk a little bit about that; this is called cycle five motion, the most common kind of bass motion we see.
Approaches to Creating Bass Lines
As we look at each of the examples we just reviewed (examples 1 through 5 of the chord progressions), we're going to show each progression using these different approaches to creating the bass lines:
- Root, fifth, and octave.
- Scale down.
- Scale up.
- Triad.
- Inversions.
- Sequences.
- Combination of any or all of the techniques discussed.
About the instructor

Bruce Gertz est un bassiste (contrebasse et basse électrique), compositeur, pédagogue et auteur primé. Il est professeur de basse au Berklee College of Music, où il enseigne depuis 1976. Bruce est lauréat de la bourse du National Endowment for the Arts Jazz Performance Award, du Massachusetts Cultural Council Musical Composition Award et de nombreux prix du meilleur bassiste décernés par les Boston Music Awards, les A.S.C.A.P. Plus Popular Awards, ainsi que de multiples distinctions de l'International Association of Jazz Educators et du Jazz Education Network. Bruce siège également au conseil d'administration de l'International Society of Bassists. Il s'est produit et a enregistré avec des artistes tels que Gary Burton, Jerry Bergonzi, John Abercrombie, Joey Calderazzo, Kenny Werner, Mick Goodrick, Kurt Rosenwinkel, Billy Hart, George Garzone, Mike Stern, Larry Coryell, Joe Lovano, Cab Calloway et Count Basie, parmi bien d'autres. Dans Contemporary Bass Guitar Grooves, Bruce met toute cette expérience à ton service. Tu apprendras à construire des lignes de basse solides et swinguantes et à t'ancrer dans des grooves authentiques à travers le funk, le jazz et la fusion, afin de tenir la section rythmique et d'aborder n'importe quelle situation de groupe avec assurance. Sa vaste discographie et des informations complémentaires sont disponibles sur www.brucegertz.com. read more




