The Isley Brothers - Footsteps in the Dark

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Max SedgleyMax Sedgley décompose le break de batterie de 'Footsteps in the Dark' des Isley Brothers - une grosse caisse et une caisse claire simples avec un charleston sautillant - un groove samplé sur des dizaines de morceaux de hip-hop.
Le contenu du cours
19 leçons (0h 56min) · 2 gratuites
01. Conseils de travail pour les breaks de batterie
Leçon gratuite3:49

02. The Isley Brothers - Footsteps in the Dark
Tu es ici4:33

03. The Isley Brothers - Footsteps in the Dark (vue de dessus)
0:55

04. Barry White - I'm Gonna Love You A Little Bit More
4:19

05. Barry White - I'm Gonna Love You A Little Bit More (vue de dessus)
0:55

06. Skull Snaps - It's A New Day
2:57

07. Skull Snaps - It's A New Day (vue de dessus)
0:54

08. Melvin Bliss - Synthetic Substitution
7:16

09. Melvin Bliss - Synthetic Substitution (vue de dessus)
0:54

10. The Winstons - Amen, Brother
6:06

11. The Winstons - Amen, Brother (vue de dessus)
1:20

12. Banbarra - Shack Up
4:17

13. Banbarra - Shack Up (vue de dessus)
1:10

14. Marva Whitney - Unwind Yourself
5:06

15. Marva Whitney - Unwind Yourself (vue de dessus)
0:50

16. Chuck Brown & The Soul Searchers - Ashley's Roachclip
3:28

17. Chuck Brown & The Soul Searchers - Ashley's Roachclip (vue de dessus)
1:19

18. Steve Miller Band - Take The Money And Run
5:28

19. Steve Miller Band - Take The Money And Run (vue de dessus)
0:56
Transcription de la leçon
Music Lesson: Breaking Down "Footsteps in the Dark" by the Isley Brothers
Introduction:
So that was a break from a track called Footsteps in the Dark by the Isley Brothers. Again, another well-used hip hop tune.
Overview of the Beat:
We're going to start with this one because it's quite simple, although there are a couple of little twists that make it interesting:
- Kick and Snare Pattern:
- Classic 1 and 2 and 3 and 4:
- 1, 2, 1 and 3 on the kick drum
- 2 and 4 on the snare drum
- Classic 1 and 2 and 3 and 4:
That's all that happens with the kick and snare.
The Hi-Hat's Role:
The interest comes from the hi-hat, which:
- Skips around and doesn't play all the beats you might expect.
- Instead of a straight eighth note pattern, it mixes up doubles and leaves out beats in certain places, creating a "skipping" effect.
This is a really good example of how a couple of alterations on the hi-hat can make the whole beat sound different upon analysis.
Benefits of This Break:
This break is ideal for:
-
Hi-Hat Technique Development:
- It helps you get a feel for where to put beats in or drop beats out.
- You can start slowly and speed up to improve your sticking on the hi-hat.
-
Coordination Practice:
- While the kick and snare remain rock solid on the 1 and 2, 3 and 4, the hi-hat plays off-beats, challenging your coordination by getting your different body parts to do different things.
Technical Tips for Hi-Hat Playing:
When playing this particular break, consider the following:
-
Elbow and Wrist Position:
- Hold your elbow slightly higher and keep your wrist up.
- This position allows for better bounce on the hi-hat.
-
Playing Technique:
- You want to strike the top of the hi-hat, as playing on the side can reduce bounce.
- Hold the stick between your thumb and index finger, with your other fingers wrapped around the bottom.
Conclusion:
Speeding it up is an excellent way to significantly improve your right-hand hi-hat technique.
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Max Sedgley est un producteur, batteur et DJ britannique diplômé en musique classique. Ses compositions ont figuré dans de nombreuses émissions de télévision et publicités, dont la série Six Feet Under, et il a été le batteur du producteur de drum & bass Roni Size. Il enregistre également sous le nom de Cadien.
Dans ses cours, il enseigne la batterie à partir de zéro - la tenue des baguettes, les grooves fondamentaux et le motif rock en huit croches - ainsi que les breaks de batterie emblématiques des années 60 et 70, samplés dans d'innombrables morceaux modernes.











