Steve Miller Band - Take The Money And Run
Avec
Max SedgleyDécompose le break de batterie classique de ‘Take the Money and Run’ du Steve Miller Band - un groove très samplé construit autour du double stroke roll.
Le contenu du cours
19 leçons (0h 56min) · 2 gratuites
01. Conseils de travail pour les breaks de batterie
Leçon gratuite3:49
02. The Isley Brothers - Footsteps in the Dark
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03. The Isley Brothers - Footsteps in the Dark (vue de dessus)
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04. Barry White - I'm Gonna Love You A Little Bit More
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05. Barry White - I'm Gonna Love You A Little Bit More (vue de dessus)
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06. Skull Snaps - It's A New Day
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07. Skull Snaps - It's A New Day (vue de dessus)
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08. Melvin Bliss - Synthetic Substitution
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09. Melvin Bliss - Synthetic Substitution (vue de dessus)
0:54
10. The Winstons - Amen, Brother
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11. The Winstons - Amen, Brother (vue de dessus)
1:20
12. Banbarra - Shack Up
4:17
13. Banbarra - Shack Up (vue de dessus)
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14. Marva Whitney - Unwind Yourself
5:06
15. Marva Whitney - Unwind Yourself (vue de dessus)
0:50
16. Chuck Brown & The Soul Searchers - Ashley's Roachclip
3:28
17. Chuck Brown & The Soul Searchers - Ashley's Roachclip (vue de dessus)
1:19
18. Steve Miller Band - Take The Money And Run
Tu es ici5:28
19. Steve Miller Band - Take The Money And Run (vue de dessus)
0:56
Transcription de la leçon
Music Lesson: Exploring the Double Stroke Roll
And that break was from a track called "Take the Money and Run" by the Steve Miller Band. Again, another classic hip hop break used in many different places, people like De La Soul, Ice Cube, and many, many more.
Features of the Break
-
Double Stroke Roll:
- A standout feature in this break is the double stroke roll at the beginning, acting as a fill.
- You'll hear a double stroke roll followed by a single stroke roll, ending on the toms before hitting the cymbal.
-
Groove Element:
- There's another double stroke roll kind of halfway through the groove, which adds a nice feature as a fill.
-
Hi-Hat Technique:
- The break also incorporates an open hi-hat, similar to many other breaks we've looked at.
- This quick release and step down on the hi-hat on the offbeat helps keep the beat moving along.
Analyzing the Groove
There's a lot going on in this groove. After the open hi-hats, you encounter another double stroke roll, making it a recurring feature of this break.
Let's slow it right down and simplify it a little bit:
- Double Stroke Roll:
- It's crucial to recognize that the double stroke roll is an important rudiment featured at the beginning with doubles throughout the groove, particularly with the left hand.
- This makes it a fantastic example of using the double stroke roll to its fullest.
Essential Practice Tips
The double stroke roll is one of the most important rudiments to know how to play, and you should be practicing it frequently. Here are some practice tips:
-
Surface Options:
- Any chance you get, whether it's on the back of a book, a table, or something that gives you a bit of bounce, helps you get those doubles in.
-
Coordination Exercises:
- Practice with your left hand and the kick pedal.
- Also, switch it around and practice with your right hand to work on coordination.
Speed Variations
- You can focus on three different speeds:
- First Double
- Second Double
- Single Stroke at the End
This practice will be beneficial for developing coordination between ghost notes in your left hand and the kick drum pedal, which will also be busy doing the occasional double here and there.
And that's the double stroke roll!
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Max Sedgley est un producteur, batteur et DJ britannique diplômé en musique classique. Ses compositions ont figuré dans de nombreuses émissions de télévision et publicités, dont la série Six Feet Under, et il a été le batteur du producteur de drum & bass Roni Size. Il enregistre également sous le nom de Cadien.
Dans ses cours, il enseigne la batterie à partir de zéro - la tenue des baguettes, les grooves fondamentaux et le motif rock en huit croches - ainsi que les breaks de batterie emblématiques des années 60 et 70, samplés dans d'innombrables morceaux modernes.
