Mastering - discussion

Music Mixing and Mastering: Key Insights

The Importance of the Original Mix

One of the key aspects of mixing, particularly when mastering, is recognizing how significantly it is affected by the quality of the original mix.

"A good mix seems to give us a lot of flexibility."

For example, we worked on a track by Shirley Collins for Domino. Jamie, the mix engineer, did a fantastic job, enabling us to easily adjust the EQ on different parts of the music without adversely affecting other sections.

Challenges in Mastering

When mastering, boosting frequencies, like 2 decibels at 400 hertz, can affect other elements, even with a high Q setting. Thus, mix engineers need to consider:

• Removing clashing frequencies between instruments and vocals.
• The complexity of bigger mixes, such as a large classical orchestra versus simpler compositions like Shirley Collins'.

The Loudness War

While the loudness wars were once a pressing concern, many mix engineers are now pulling back.

"People are now reining it in again, which is good."

Maintaining dynamism is crucial, as it's difficult to restore dynamics if they have been overly compressed in the mix.

Listening Techniques

Casper and I employ different approaches to listening to music:

• My Approach: Outboard-driven, often recalling everything off notes.
• Casper's Approach: Inboard-driven, recording as he goes.

When I first listen to a piece, I focus on the outer extremes:

• Start with high and low frequencies.
• Look for anything ducking or behaving oddly.

Initially, I may over-EQ to gauge what the extremes are doing before refining the sound.

Balancing Frequencies

A key aspect is achieving a balance across frequencies. No particular frequency should overpower others.

• If a muddy hum is present around 200-300 hertz, it can negatively impact the overall mix.
• Using a "less is more" approach is often beneficial.

Examples of EQ Application

We recently encountered a piece where the voice was lost in the mix. Despite the mix engineer's efforts to use EQ, the voice was overshadowed by falsettos, rendering it less powerful. We discovered:

• The issue lay between 501k hertz.
• A subtle boost in that range allowed the voice to pop out more effectively without altering the rest of the mix.

Frequency Tips

Certain frequencies complement specific instruments and voices:

• For adding presence to vocals: 500 Hz to 1 kHz.
• For boosting bass: 80-90 Hz.
• For adding sheen to the overall mix: around 9 kHz.

While enhancing is common, so is removing frequencies that contribute to muddiness, especially in the mid-range.

Learning and Experience

I learned mastering from two accomplished engineers, Jeremy Cooper of Soundtrap and Ray Staff at Air Studios. My background:

• Drummer since the age of 13.
• Pianist with experience in audiophile sound systems.
• Built my studio to refine the skills I learned from these masters.

Casper, too, has a diverse background:

• Saxophone player with years of live gigs and recordings.
• Self-taught through music technology.

Continuous Improvement

Mastering is often a trial-and-error process. Every job provides new learning opportunities:

• Organic growth in skills is essential.
• High-quality monitoring equipment is crucial for making informed adjustments.

The Importance of Honesty in Mastering

As a record label, we prioritize honesty about sound quality.

"Simplifying the mastering process can lead to great results."

Being musicians ourselves enhances our understanding of what sounds good, reinforcing the belief that listening is key. Ultimately, it's about whether the changes improve the sound, if they don't, they shouldn't be made at all.