Woh Yeah (analyse)
Lesson time: (5min 9sec)
Kay Charlton décortique « Woh Yeah », un morceau de trompette pour débutants qui n'utilise que deux notes, C et D, avec de la percussion corporelle ajoutée pour la section d'improvisation.
Course preview
This lesson is part of the course Are You Ready partie 1 : 5 morceaux pour trompettistes débutants
Watch a preview of the full course below.
Lesson transcript:
Music Lesson: Exploring Two Notes
Introduction
So this song uses, again, two notes:
- C with no fingers
- D with two fingers
Don't forget to press that third valve all the way down quite firmly!
Body Percussion
This song also uses some body percussion, which means making up rhythms and sounds with different parts of your body. Here are some examples:
- Click your fingers
- Slap your knees
- Clap your hands
- Do a chest clap
These can all be part of your improvisation section.
Starting Actions
So let's get started! I'm just going to put my trumpet down because you need your hands free.
- Start with some simple actions.
- Click your fingers while pushing your hands forward and giving it a psh.
- Say "ta" each time:
"And every time we say ta or da in this song, you're practicing your tonguing as well."
So, when you get to play the song, your tonguing should be really nice and crisp.
Putting It All Together
The first bit is:
And then we do the title of the song with a crescendo. We're getting louder as we do this. Clapping. Whoa. Yeah. And put your hands up in the air for the.
Yeah! At the end of that, let's put that whole section together:
Count: 1, 2, 3, 4.
Oh, yeah, great!
This goes around twice.
Quick Instrument Transition
When you're doing that with the track, you'll need to pick your instrument up quickly. Practice doing that , putting it into your hand and getting your fingers ready.
Practicing Notes
The song uses two notes and again we've got some words.
- The first bit is:
- I'll put my fingers down while I sing it.
- Play in time.
Count: 1, 2, 3, 4, 5.
Now, that's quite easy because how many C's am I doing? I'm giving you a big clue.
- You play 1, 2, 3, 4, 5.
Let's just practice that bit. Get your tongue working:
Count: 1, 2, 3, 4.
Dynamics
Did you notice I'm getting a bit louder when I play that phrase? We call that a crescendo. Getting louder means you need to blow a bit more air through as you go through those five notes.
Listen to me again and try to get louder through those notes.
Playing Together
Let's play those four bars. Start on D.
Count:
Right after four:
1, 2, 3, 4.
2, 3, 4.
1, 2, 3, four, five.
Here we go.
And again.
Ready? Well done!
Next Part: Piano
The next part of the song, after four bars rest, is quiet.
So we're playing piano, thinking about our dynamics, playing softly.
Count: 1, 2, 3, 4, 5, 5.
Let me just play this bit:
- It's a D, then a C, then a D, and then we count to five.
Ready?
Count: 1, 2, 3, 4.
Well done!
Creativity Section
So that's the tune of the song. As with every song in this course, there's a section for you to make up your own music.
Sometimes I give you copybacks to inspire you, or you can just make up your own ideas. You can also create your own body percussion ideas.
Copyback Practice
Let's try some copybacks now! I'm going to play something for four beats and then you can copy it back.
Remember, we're only using C and D. Don't forget to tighten up the corners of your mouth when you go for the D.
Get ready to copy me!
Trumpet ready? Here I go:
1, 2, 3.
Well done!
When you're listening to the backing track, you can either use my ideas or make up your own. Remember to leave plenty of space; you don't have to play all the time.
You can imagine that you're playing a question phrase and then try an answer phrase using the same two notes.
Well done!
About the instructor

Kay est trompettiste, compositrice et professeure de cuivres et de musique scolaire, spécialisée dans l'enseignement en classe au primaire - KS2, First Access/WCET (enseignement en ensemble pour toute la classe, où une classe entière apprend un instrument ensemble) et CPD des enseignants (développement professionnel continu). Elle a obtenu en 2018 un master en éducation musicale - 'Teaching Musician' au Trinity Laban Conservatoire. Kay joue de la trompette au sein du Bollywood Brass Band, une formation de 9 musiciens de cuivres et de percussions dont le CD de 2017 Carnatic Connection a été nommé à un 'World Music Award' du magazine Songlines et a reçu une critique 5 étoiles dans le London Evening Standard. Kay compose et arrange pour le groupe et dirige son travail pédagogique, ayant fondé la Bollywood Brass Academy en 2017. Kay a présenté ses recherches sur l'enseignement à toute la classe au Music Education Expo et au First Access Forum. Elle a conçu et animé des CPD pour LSO Discovery, Trinity College London, Music Education Solutions et le Bollywood Brass Band, et elle est consultante en éducation pour Warwick Music. Le recueil de répertoire pour débutants de Kay, 'Are You Ready?', est publié par Warwick Music ; en 2017, Warwick Music et Music Education Solutions ont commandé à Kay des chansons pour un nouveau programme KS1 destiné au pBuzz, qui a été nommé 'Education Resource of 2018' par les 'Education Awards'. Parmi ses autres publications figurent des pièces pour les programmes de piano Initial (2015/2018) et Grade 1 (2018) de Trinity, Bollywood Blast! (Spartan Press) - une série de méthodes pour cuivres et vents avec pistes d'accompagnement dans un style Bollywood - et Whole Class Bollywood Blast avec David Rose (Bedford Music Hub), destiné aux professeurs de cours instrumentaux en classe entière et incluant un programme Arts Award Discover. Ses cours MusicGurus t'apportent directement cette expérience de la classe : de ta toute première leçon de trompette jusqu'à deux ensembles de morceaux pour débutants, Kay expose précisément quoi jouer et comment le jouer. www.kaycharlton.co.uk read more




