The Dock of the Bay – Otis Redding (análisis)
Lesson time: (3min 27sec)
Paul Elliott desglosa la parte de batería de nivel Debut de 'Dock of the Bay', un tema de soul suave con un feel de corcheas rectas y hi-hats en el dos y el cuatro.
Course preview
This lesson is part of the course Rockschool Batería Debut
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Lesson transcript:
Teaching "Dock of the Bay" - A Music Lesson
Introduction
Okay, let's take a look at Dock of the Bay, or Sitting on the Dock of the Bay to give it its correct title. This features the great Al Jackson Jr. on drums. It's a classic soul tune.
Tempo and Feel
- It's a very gentle piece with a straight ahead, eighth note feel at a slow tempo.
- Important: Get that time feel before you come in.
Counting Technique
- We've got these two and four closed hi-hat hits. Feel the time!
- What I do in the performance is count the eighth notes, even while playing quarter notes.
- Think:
- 1, 2, 3 and 4 and
- 1, 2 and 3 and 4 and
- 1
There's a lot of space at this tempo. As a feel concept, it's pretty much eighth notes all the way through.
Section Overview
- This is a debut tune, so we don't have any tom fills, open hi-hats, or cross cymbals.
- Essentially, I'm just looking to keep steady eighth note time.
- Pay attention to the variations in the bass drum pattern:
- Look for subtle changes in the bass drum patterns between the A, B, and C sections.
- Note the unison at the end of the B section: two bass drums, two snare drums with the hi-hat.
- In the C section, watch for a change in bass drum patterns, especially towards the end, which finishes on a bass drum and a hi-hat.
Playing Style
From a feel perspective, this is just very gentle.
- I don't play too heavy on this tune; I'm keeping it really relaxed.
- I use a certain kind of dynamic hi-hat technique:
- I avoid playing too monotone on the hi-hat.
- I won't play a huge snare drum figure or a big bass drum figure.
- It's all about maintaining a relaxed feel.
Performance Techniques
- Center Snare: I'm going to play center snare; no big rim shots are necessary at this grade.
- I will use a nice hi-hat technique that includes a lilting accent:
- Count: 1, 2, 3, 4
- It's not essential to use that technique, but it gives a nice balance of sounds for a relaxed feel.
Grip and Balance
For the snare drum, I'm going to use traditional grip.
- This technique feels nice, gentle, and easy; it achieves a balanced sound.
- Remember, these techniques are personal; if I were to play this tune, that's how I would approach it.
Conclusion
Great! Have fun with this tune. See you soon!




