Lección gratisLección 1 de 18ViolínIntermediate

Prog Rock

Chris Haigh presenta el rock progresivo en el violín, el género que rompió todas las reglas del sencillo de tres minutos con compases irregulares e influencias clásicas.

© 2011 Schott Music Ltd, London

Parte del cursoViolín rock: estilos e interpretación18 lecciones (1h 41m)

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18 lecciones (1h 41m) · 1 gratis
    • 01. Prog Rock

      Estás aquí

      2:41

    • 02. Antonio (Interpretación)

      1:19

    • 03. Compases

      5:47

    • 04. Revelations 15 (Interpretación)

      2:24

Transcripción de la lección

Lesson on Progressive Rock

Hi. In this lesson, we're going to start talking about progressive rock. Now, this is the music that I grew up with in the 1970s, and it was really an exciting musical time.

Characteristics of Prog Rock

One of the things about prog rock was that it deliberately set out to break all of the conventions of the three-minute single. In prog rock, you could do pretty well whatever you wanted:

  • Go down any musical direction
  • Draw on any outside influence you wanted
  • Use any kind of time signature

And that's something we'll look at in the next lesson.

Influences on Prog Rock

Going back to the idea of drawing on influencers, a lot of classical music found its way into prog rock because it was kind of more intelligent in a lot of ways. Many of the musicians who played in prog rock had big musical ideas.

Spotlight: Eddie Jobson

One of the best violinists who found his way into the English prog rock scene was Eddie Jobson. He started off with a band called Fat Grapple.

You may think I've made that name up, but no, it was a real band!

I think Eddie Jobson was around 16 years of age when he was playing with Fat Grapple. They were supporting a band called Curved Air, which was a wonderful band featuring a violinist named Darrell Way.

Interestingly, Darrell Way was about to leave the band, and so was the keyboard player, funnily enough.

At this particular gig, Eddie Jobson found his way into the changing room where Curved Air were. He got out his violin and played them one of their hits, which was Vivaldi, a tune they'd written that incorporated Vivaldi music into prog rock.

He played it amazingly well, and they were extremely impressed. In no time at all, he was in the band.

Dual Roles and Future Success

Not only was he playing violin in the band, but he also took the keyboard player's place. So, he was doing both jobs. This versatility was part of the reason for his future success, as he played in a whole load of different successful prog rock bands, including:

  • Roxy Music
  • Frank Zappa
  • King Crimson
  • Bill Bruford

If you're looking for someone to inspire you to play violin in prog rock, then Eddie Jobson is really the guy.

Assignment

Your assignment for this lesson is to practice and learn the tune Antonio.

  • Play along with the backing track.
  • Also, look up Curved Air and find their song Vivaldi, and listen to that.

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Chris Haigh

Chris Haigh

Chris Haigh es violinista profesional desde hace 25 años, con experiencia en muchos géneros distintos. Ha tocado en más de 75 álbumes, trabajando con artistas como Alison Moyet, Bob Geldof, All About Eve, Michael Ball, David Soul, Oumou Sangare, The Quireboys, Riverdance, Morcheeba, James Galway y Steps.

Ha tocado swing y jazz con The Kimbara Brothers, Diz Disley, Le Jazz, The Hot Club of London y los Quecumbar Allstars, y lidera una banda de swing soviético de siete integrantes, The Kremlinaires.

Chris imparte clases y talleres sobre técnica de violín de jazz y ha enseñado violín de jazz en las universidades de Middlesex, Brunel y Newcastle y en el Truro College. Entre sus créditos como autor figuran nueve libros de violín, entre ellos The Fiddle Handbook.

También dirige Fiddling Around (fiddlingaround.co.uk), probablemente la fuente de información sobre violín más completa y visitada de la red.

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