BONUS: Fills con el double stroke roll

Harry Pope
Harry Pope

Lesson time: (-4min -46sec)

Más fills con el double stroke roll y cómo hacer esos fills un poco más interesantes

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This lesson is part of the course Mi primera clase de batería
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Lesson transcript:

Music Lesson: Using the Double Stroke Roll as a Fill

Hello, welcome back!

In the last video, we learned the double stroke roll. Today, I'll show you a couple of ways to use it as a fill, which can sound a bit more interesting than just the plain old technique.

Utilizing the Toms

We've got these toms here, so we may as well use them! Here's what we're going to do:

  • Beat One: This will remain exactly the same.
  • Beat Two:
    • Move your right hand to the floor tom and play 2e.
    • Then move your left hand to the rack tom and play and A.

This will sound like:

One E and A. Two E and R.

Beats One and Two

  • Beat One: Exactly the same.
  • Beat Two: Move the right hand to the floor tom.
  • Then move the left hand to the rack tom for.

So, beats one and two will sound like:

(Beat One) ... (Beat Two) ...

Beats Three and Four

  • Beats three and four will be exactly the same as beats one and two:

Three E and A. Four E and A.

Putting It Together

So now we have:

  • Beats One and Two
  • Repeated for Beats Three and Four.

That's your fill!

Practicing the Fill

Let's try it with our quaver. Beat number one will go like this:

  • If you feel like putting a crash cymbal after the fill to get back into the beat, feel free, it sounds great!

Important Tips

  • I cannot emphasize how important it is to stay relaxed while doing this.
  • Practice it slowly, almost painfully so.
  • There's absolutely nothing wrong with playing something slowly and actually getting it right.
  • Once you've played it slowly, you can start to speed it up.

And then, you know, you might hit a point where you can't play any faster. That's good! This means you've got something to practice.

Final Demonstration

Let's use that as a fill one more time. Crash it after the fill, and we'll come back with a beat to do the whole thing again.

I'll demonstrate it for you once, and then you can practice it yourself.

Thank you very much for watching, and I will see you in the next video, hopefully soon!

About the instructor

Harry Pope
Harry Pope

Harry Pope es un baterista londinense y graduado del programa de jazz del Trinity College of Music. Ha tocado con la ganadora del Brit Award Eddi Reader, el guitarrista Jim Mullen, Graeme Duffin de Wet Wet Wet y la Royal Scottish National Orchestra Big Band. Su curso para principiantes empieza desde la batería misma —postura, agarre, mantener el tiempo y tus primeros grooves— a un ritmo que se adapta a cualquiera que coja las baquetas por primera vez. read more

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15 lessons (1h 35m)
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