Melodía usando la nota Sol
Lesson time: (3min 33sec)
Tommy Webb enseña una melodía country usando la nota Sol al aire una octava más arriba, mezclando blancas y negras con notas con puntillo y silencios.
Course preview
This lesson is part of the course Método de Guitarra: Country & Metal
Watch a preview of the full course below.
Lesson transcript:
Country Part 2 Music Lesson
We've made it to Country Part 2. Here we're going to learn how to:
- Play a G and an A note an octave up
- Understand what dotted notes are
- Play three-beat rests
Introduction
Let's get started!
Example One
In Example One, we see the new note G again, just like D. We've played this before. It's going to be our open G string.
Mnemonic:
Eddie ate donuts. Good boy, Eddie.
It's going to be the good string.
Notes to Remember:
- Eddie
- A
- Donuts
That's the fourth one from the top. We're mixing again half notes and quarter notes, as well as some half note rests and quarter note rests. So, we're kind of using everything we've learned so far and putting it into one section here.
This is a section to really take slowly and work out, especially focusing on the rhythms.
Bar Breakdown
-
First Bar:
- Half note followed by two quarter notes.
- Notes: C, D, E going to F.
-
Second Bar:
- This lasts for two beats.
- Practice Tip: Like you to work on those four notes, blending them together.
- Count: 1, 2, 3, 4.
Tip: Trying to get those transitions as smooth as possible. This might take a few minutes, so feel free to pause and give this a go for a second.
Importance of Technique
This is a great example of why it's so useful to use the one finger per fret method. We're playing so quickly, as opposed to me trying to play like that, all messed up, or especially using just one finger.
This doesn't help us in any way. While we may play the notes, when it comes to more challenging things at speed, we won't be able to play efficiently.
There's no way you can play at that speed with one finger. So, that's why we're establishing those good habits: One finger per fret.
Continuing with Bars Three and Four
Moving on to Bars Three and Four, we start with the G string. This is our new note.
- Open G: This lasts for two beats, followed by another pluck of the string as a quarter note (1, 2, 3).
- Going to an F, which we said was the third fret on the D string.
Final Bar:
- Mixing some things we looked at in pop, which includes a quarter note followed by a quarter note rest.
- Here we're playing an E with a quarter note rest on beat two and finishing on a C with a quarter note rest on four.
Sounding It Out
Those last two bars would sound like this:
Listen closely to the last bar, especially those silences on beats two and four.
Practice Together
So, let's try it together from start to finish at a really steady pace, getting all those rhythms in as well as the new G string:
1, 2, 3, 4.
1, 2, 3, 4.
1, 2, 3, 4.
1, 2, 3, 4.
1, 2, 3, 3, 4.
That last bar does feel quite odd. So, listen back to this video.
Reminder: Make sure you're counting the rhythms accurately. It's quite easy to think, I played that wrong, but it's not. It's just about getting those rhythms in there, ensuring we have the rests nice and quiet on beats two and four.
Let's Give It a Go!
Now, let's give it a go with the backing track!
About the instructor

Tommy Webb es un guitarrista afincado en Londres que completó una licenciatura con honores (BA Hons) en guitarra en la Academy of Contemporary Music de Guildford, estudiando con Sandy Beales (One Direction, Wheatus) y Nicolas Meier (Jeff Beck). Su propia forma de tocar se mueve con libertad entre el rock, el pop, el indie, el hip-hop, el country y el metal, exactamente el terreno que cubren sus métodos de guitarra. Tommy ha trabajado con una amplia variedad de artistas y bandas por todo el país, entre ellos Jarki Monno e Indira May, compartiendo escenarios y sesiones con guitarristas como Paul Murray (Jess Glynne, Zak Abel) y Adam Chetwood (Paolo Nutini, Mark Ronson), y con baterías como Alex Woodward (Black Honey), Luke Robinson y “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah). Sobre el escenario, ha actuado en el Jazz Cafe como telonero de la cantante de soul Jocelyn Brown, además de en salas y festivales como Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival y Sundown Festival. En disco y radio, Tommy ha grabado sesiones en directo para BBC Three Counties Introducing, Vibe FM y Pulse 88, con temas emitidos en BBC Radio 1 y Radio 2. Ha grabado en estudios como South Lanes Brighton, Hempstead Road y Titan Studios con productores como Steph Carter (Gallows, Lyoness) y TMS / Froe Barnes (Lewis Capaldi, Dua Lipa). En sus métodos de guitarra, Tommy te transmite todo ese saber de músico en activo, enseñándote las técnicas, los tonos y el feeling que hay detrás de los estilos reales, del rock y el pop al indie, el hip-hop, el country y el metal, para que puedas tocar la música que de verdad te gusta. read more




