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Lesson time: (13min 16sec)
Marcus Bonfanti enseña el hybrid picking - sujetar la púa mientras los dedos libres añaden líneas - usando su arreglo de 'Sliding Delta' de Mississippi John Hurt.
This lesson is part of the course Encuentra tu propia voz en el blues
Watch this lesson for free below.
Lesson transcript:
Hi, it's Marcus Bonfanti here, and thanks for looking at this course, which is all about hybrid picking.
Hybrid picking is not an essential technique, but for me, especially when playing acoustic blues, it's very necessary. The technique involves:
This combination gives you the ability to:
We'll center this lesson around an arrangement of mine of a song by Mississippi John Hurt called Sliding Delta. This piece will serve as a way of using hybrid picking to play melody and chords at the same time, creating a nice instrumental tune or backing for singing.
The song is a blues, but it's not a 12-bar blues. We'll change the key to E, involving these chords:
The melody line of the tune should sound like this:
(Insert melody line here)
Now, I'll put the two together and explain a bit about what the right hand is doing to achieve this.
Here's a quick overview of the intro.
The beauty of hybrid picking is that it allows you to pick out a bass line and chords while playing the melody simultaneously. This technique is great for:
With your technique, the plectrum portion of your hand does the following:
Fingers' Role: While you might forget about the little finger for now, the other fingers take care of the melody line.
Let's play it slowly to highlight how the right hand operates.
It's important to keep the wrist on the right hand loose. The fingers will be working hard, so:
Adding a few skips can enhance your playing, creating a lovely technique that we discussed with raking back on certain chords.
Practice Tip:
Hybrid picking is a core skill that opens up many possibilities in your playing.
To tidy this up, I'll play Sliding Delta one more time, a bit quicker, to show how it all fits together.
(Plays example)
Now, a quick overview of how hybrid picking can work within solos, particularly focusing on double stops.
A double stop involves playing two notes at once, typically on the G and B strings. Chuck Berry is a fantastic example of this technique in action.
This combination provides a nice, rhythmic sound, enhancing your playing.
Try taking licks you already know and experiment with combining:
That's an introduction to hybrid picking. If you're interested in more techniques or lessons, feel free to get in touch with me through the website. There will be more on this in future courses.
I hope you find this information helpful!

Marcus Bonfanti ha trabajado con Ten Years After, Ginger Baker, Van Morrison, Ronnie Wood, David Gilmour y Nick Mason de Pink Floyd, Phil Manzanera de Roxy Music, Shuggie Otis y PP Arnold. Músico profesional desde hace más de quince años, ha recorrido el mundo de gira y ha grabado en multitud de géneros, pero el blues es donde está su corazón y lo que mejor sabe hacer. Ha publicado tres álbumes en solitario -todos ellos incluidos entre los álbumes del año de la revista Classic Rock- y ha girado con Robert Cray, Chuck Berry, John Fogerty y Beth Hart, actuando en festivales como el SXSW y el Legendary Rhythm & Blues Cruise. Nada de esto habría sucedido sin dedicar las horas necesarias a aprender el oficio, que es precisamente para lo que sirven sus cursos. Tanto si quieres una carrera en la música como si simplemente te encanta el blues y quieres tocarlo mejor, Marcus está aquí para ayudarte. read more