Lektion 23 von 29SchlagzeugIntermediate

Attitude (Analyse)

6:22

Pat Levett analysiert das Schlagzeugstück 'Attitude' aus Grade 4, eine Hardrock-Nummer aus den späten 80ern - mit Akzenten, Stockkontrolle und Downstrokes für die einleitende Standtom-Passage.

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29 Lektionen (2h 24m) · 1 gratis
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    • 03. Scary – Stormzy (Analyse)

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    • 04. Respect – Aretha Franklin (Analyse)

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    • 05. Ready or Not – Fugees (Analyse)

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    • 06. Sweet Home Alabama – Lynard Skynard (Analyse)

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    • 07. Noisy Neighbour (Analyse)

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    • 08. Cold Pants (Analyse)

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    • 09. Attitude (Analyse)

      Du bist hier

      6:22

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Transkript der Lektion

Attitude: Music Lesson Overview

This song is based on late 80s hard rock from America, featuring influences from bands like Guns N' Roses.

Section 1: Foundation

  • We start with lots of floor tom and distorted guitars playing together.
  • Focus on accents; more stick control is required.
  • Even if you practice on a pad, aim to get the accents up while keeping everything else low.

Down Strokes

  • This technique involves playing down without allowing the stick to come back up.
  • Work on quiet single strokes with random accents from both your left and right hand.
  • This practice will significantly help with mastering the first section.

Section 2: Groove Development

  • In this section, we introduce 16th semiquavers on the hi-hat, paired with a bass drum and snare drum dialogue underneath.
  • Incorporate open hi-hats into your groove.

Section C: Enhanced Dynamics

  • Transition to the bell and focus on a groove centered on the beat:
    • Count: 1, 2, and 3, and 1, 2, and 3.
  • Ensure you're pushing into beats one and three.

Dynamics

  • Coming out of Section C, there will be a dramatic shift in dynamics:
    • Drop from F to P in the space of one quaver.
  • Make this transition as dynamic as possible; dynamics are crucial in drumming.

"Dynamics will, especially on drums, are your best friend. The more you play at one volume, the audience can become a little disengaged. You need to keep them switched on, and dynamics is a perfect way of doing that."

Section: Phrasing with Hits

  • Practice phrasing with the hits: bosh, bosh, bosh.
  • If you have two crash cymbals, one on each side, consider placing one on the side where you'll primarily be playing the ride.

Drum Solo Section

  • The drum solo should be straightforward.
  • Aim for strong hits; clarity and strength are key.
  • Avoid complicated patterns that might detract from the song's overall strength.

Starting Point for Solos

  • Think of it as having very strong fillings; don't overcomplicate things.
  • If you're inclined, feel free to explore more complex ideas with your teacher.

Conclusion: Returning to the Beginning

  • After the solo, return to section A to finish the song.
  • Allow room for development; it's an opportunity to have fun and incorporate parts of the drum solo.
  • End with a strong, confident finish: bosh, bosh, bosh.

Final Thoughts

This performance can vary every time you play it. Your interpretation should focus on phrasing with the music.

  • Exploring Section C:
    • Notice the heavier beat between beats one and three.
    • You might consider skipping out those quavers to play crotchets instead, "bing, bing", for a different feel.

Unique Playing Style

There's never one definitive way to play. Develop your own ideas while keeping these pointers in mind:

  • Focus on dynamics.
  • Ensure strong endings, especially after sections and fills.

Good luck!

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