Second-Line-Drumming

Pat Levett
Pat Levett

Lesson time: (4min 37sec)

Pat Levett zerlegt das New-Orleans-Second-Line-Drumming - die Snare-Phrase, die es startet, die Kombination aus Bassdrum und Becken und die Snare-Verzierungen.

Course preview

This lesson is part of the course Schlagzeug im New-Orleans-Stil
Watch a preview of the full course below.

Lesson transcript:

Snare Drum Techniques and Embellishments

To kick off a second line, the snare drummer plays a phrase that sounds a bit like this. You can download this on the PDF.

When the whole band hears that phrase, they're off and ready. You'll hear that the bass drum and the cymbals come in on the last part of that phrase.

Emulating the Sound

I came up with the idea of playing the bass drum and the cymbal together to emulate that sound.

  • The hands will play this rhythm.
  • The bass drum, our lead instrument, will play over that.

You may notice that sometimes I'm putting a roll with my left hand, which contributes to the overall sound.

Alternate Playing Methods

I understand that many people might not have this as part of their setup.

Here are some alternatives:

  • You can play it on a ride cymbal.
  • You can also use your hi-hats and splash them.

So, I can play the same phrase, same exercise, but just using these hi-hats instead.

Listen closely to the difference.

Snare Drum Embellishments

There are many embellishments you can do on the snare drum, lots and lots of different ones.

For example:

  • Traditional Jazz Idea: The left hand just bouncing on the hands. You can add the bass drum to that.
  • Rolling Technique: This might be used more as a fill rather than a regular pattern.
  • Regular Jazz Time: Just playing with the right hand.

The more you listen, the more you'll hear the subtle changes in individual approaches to playing the same thing and the same tune.

It's very much open to interpretation, and I hope you find it rewarding.

I look forward to seeing you in the next lesson!

About the instructor

Pat Levett
Pat Levett

Nach seinem Schlagzeug-Abschluss an der Guildhall School of Music 1999 hat Pat unter anderem mit Liane Carroll, dem James Taylor Quartet, Tim Minchin, den Ronnie Scott's All Stars, Zigaboo Modeliste (The Meters), Earl Thomas, Paddy Milner, dem Phil Stevenson Trio, den Downtown Dukes, 24 Pesos, den Puppini Sisters, Sandi Thom und Bernard Purdie gespielt und aufgenommen. Er ist ausgiebig durch Amerika, Russland, Asien und Europa getourt und hat in vielen angesehenen Häusern, auf Festivals und in TV- und Radiosendungen gespielt. Pat spielt außerdem chromatische Mundharmonika und ist als Solist auf zwei Alben von Will Grove-White (Ukulele Orchestra of Great Britain) zu hören. Zu seinen eigenen Projekten zählen 'The Coalminers', das sich dem Funk und Soul von New Orleans widmet, und 'June Afternoon', ein Orgeltrio mit Ross Stanley und Nat Martin. In seinem Kurs New Orleans Style Drumming schlüsselt Pat die Grooves, das Feel und das Second-Line-Vokabular auf, die den Sound der Stadt ausmachen, damit du hinter dem Schlagzeug in authentischen Funk und Soul einrasten kannst. read more

What's included?

12 lessons (0h 53m)
Advanced video features
Mobile, tablet & desktop
100% satisfaction guarantee
View course info