Zydeco-Musik
Lesson time: (3min 55sec)
Pat beschreibt das Zydeco-Schlagzeugspiel, gibt einen kurzen Überblick über das Musikgenre und seine Wurzeln und demonstriert einige Drum-Patterns.
Course preview
This lesson is part of the course Schlagzeug im New-Orleans-Stil
Watch a preview of the full course below.
Lesson transcript:
New Orleans Drumming: Exploring Zydeco Music
Hi and welcome to the next installment of New Orleans drumming!
As I was talking about earlier, there are different parts of the world that have settled within New Orleans. In fact, the name "New Orleans" comes directly from France.
As we can see, and when you actually experience the city (if you've ever been), it does have a very European flavor to it, especially in the French Quarter.
The French Influence on Zydeco Music
The French influence on New Orleans can be heard in zydeco music, which is a part of Louisiana where French is spoken.
Zydeco music features:
-
Accordion playing: A strong component of the genre.
-
Groove structure: The drum patterns are quite straightforward. It often goes something like this:
- Boom, bap, bat ba bap,
- Dump, bap, bat bap,
- Boom, bap, bap, bap.
So there you have those two different grooves within the zydeco band.
The Role of the Rub Board
In a zydeco band, there's typically someone playing a rub board. This unique instrument:
- Used to be a simple rub board but can also be utilized in traditional jazz.
- Played similarly to strumming a guitar.
There's some great clips of Herlin Riley, an amazing drummer from New Orleans, using the rub board in a traditional band setting.
The Modern Rub Board
Within zydeco, the rub boards have evolved to be worn over the chest. Key features include:
- Size: Quite wide and hangs off the shoulders.
- Material: Made of metal, corrugated down the front.
- Playing Technique: Musicians sometimes use beer openers, can openers, or metal thimbles on their fingers, playing it like a long guero on their chest.
The sound is not completely straight; it has a rhythmic quality that you need to listen for:
- It's characterized by a "doobie, doobie, doobie" feel.
- Despite its movement, it maintains a stricter pulse.
The accordion leads the rhythm, complemented by the drums.
Recommended Listening
Have a listen to zydeco music! Buckwheat Zydeco is probably the most well-known zydeco musician. There are also many "Cheniers" who play zydeco, so be sure to check them out too.
If you do a good search on zydeco, you'll find all sorts of exciting music.
I'll see you in the next lesson!
About the instructor

Nach seinem Schlagzeug-Abschluss an der Guildhall School of Music 1999 hat Pat unter anderem mit Liane Carroll, dem James Taylor Quartet, Tim Minchin, den Ronnie Scott's All Stars, Zigaboo Modeliste (The Meters), Earl Thomas, Paddy Milner, dem Phil Stevenson Trio, den Downtown Dukes, 24 Pesos, den Puppini Sisters, Sandi Thom und Bernard Purdie gespielt und aufgenommen. Er ist ausgiebig durch Amerika, Russland, Asien und Europa getourt und hat in vielen angesehenen Häusern, auf Festivals und in TV- und Radiosendungen gespielt. Pat spielt außerdem chromatische Mundharmonika und ist als Solist auf zwei Alben von Will Grove-White (Ukulele Orchestra of Great Britain) zu hören. Zu seinen eigenen Projekten zählen 'The Coalminers', das sich dem Funk und Soul von New Orleans widmet, und 'June Afternoon', ein Orgeltrio mit Ross Stanley und Nat Martin. In seinem Kurs New Orleans Style Drumming schlüsselt Pat die Grooves, das Feel und das Second-Line-Vokabular auf, die den Sound der Stadt ausmachen, damit du hinter dem Schlagzeug in authentischen Funk und Soul einrasten kannst. read more




