Sich zu trennen ist schwer
Lesson time: (6min 13sec)
Guy Chambers erzählt die Geschichte hinter ‘No Regrets’, geschrieben 1997 über Robbie Williams' Trennung von Take That, und wie er die Musik so gestaltete, dass sie zur Stimmung des Songs passte.
Course preview
This lesson is part of the course Song Studies: die Songwriting-Geheimnisse von Guy Chambers
Watch a preview of the full course below.
Lesson transcript:
An Insight into "No Regrets"
Now we're going to talk about "No Regrets," which was written in the summer of 1997.
Background on the Song
Just to give you a bit of background on this song:
- We had just completed the first album, Life Through A Lens.
- Rob had been to rehab and had come out of it.
- Prior to this, I had been in a band many years before called The Lemon Trees.
The Lemon Trees Experience
I made the classic bad mistake of messing up my second album with The Lemon Trees. Here's a quick recap:
- The band did a first album which performed well; all of the songs got airplay.
- We sold about 30,000 copies, which for an indie band is not bad going.
- When we made a second album, we switched producers, changed our whole sound, and made that classic mistake of going in a different direction.
- Ultimately, we got dropped by the record company, and I was left on my arse.
I never forgot that humiliation and lesson. So, when it came to the Robbie Williams world, I knew we had to act quickly after finishing the first record.
The Importance of the Second Album
I told Rob, "As soon as you get out of rehab, we need to start working on the second record straight away." My goal was clear:
- The second album needed to be just as good as the first, hopefully even better.
- We took any opportunity to write together.
The Birth of "No Regrets"
This song started at a barbecue in a friend's garden. I always had my guitar with me. One of the wonderful things about an acoustic guitar is that:
- You don't have to plug it in.
- You can play it anywhere, even in the garden, with no need for power.
The Creative Spark
The song started with a riff. I probably just played that a couple of times, and then Rob began singing these words almost immediately:
"Tell me the story. We all change. We live our lives together. We're not astray."
I thought, "Wow, what's this story?" Rob expressed he wanted to write a song about Take That and the pain he felt about the band's breakup. I was onboard.
Emotional Significance
I knew this would be quite an important song because Rob hadn't properly dealt with that history yet, musically speaking.
From there, we moved to the line:
"I didn't lose my mind; it was mine to give away."
This particular lyric is my favorite Robbie lyric that he's ever written.
Musical Influences
I've since thought about the influences behind this song. I believe that the next section was inspired by a song by Burt Bacharach, which goes like this. You might have heard it in an advert or in a film, perhaps in one of the Austin Powers films.
Chord Comparisons
The chorus for this song has some similarities to that melody.
- If we try it through "No Regrets," it doesn't quite work, but:
- Bacharach's chords move from G minor to C minor.
- Our chords, however, move from F minor to C minor.
F minor 11 is quite an unusual chord. In pop music, it doesn't appear often, but it creates a lot of tension and paints a sad yet compelling picture.
Production Choices
When we produced the record, we deliberately moved away from the very sad, ballad-like guitar vibe you're hearing now. Our aim was to create a more defiant, uplifting song, which is why:
- There are drums on it.
- A lot of rhythm was added.
It still retains that underlying sadness, but it's a song that's moving somewhere.
About the instructor

Guy Chambers ist einer der erfolgreichsten lebenden Songwriter Großbritanniens. Er ist der Autor hinter den Songs, die wir aus dem Radio, aus dem Kino und von der Tanzfläche kennen. Songs, die wir von unseren Partys und Hochzeiten kennen. Songs, die die halbe Welt Note für Note mitsingen kann. Songs, die uns in der Zeit dorthin zurückversetzen, wo wir einst waren. Songs, die uns über den Alltag hinaustragen, dorthin, wo wir uns wünschten zu sein; 'Angels'; 'Let Me Entertain You'; 'Strong'; 'No Regrets'; 'Millennium'; 'Rock DJ'; 'Feel', um nur einige zu nennen. "Guy war der erste Mensch im Geschäft, der mich je ernst genommen hat", sagt sein langjähriger Schreibpartner Robbie Williams. "Der erste Mensch, der den Künstler sehen konnte, zu dem ich wusste, dass ich werden könnte". Die Liste seiner weiteren Mitstreiter liest sich wie der Adel der Popmusik. Über die Jahre hat Guy für Diana Ross, Tom Jones, Tina Turner (deren glühende Version von 'Feel' man wirklich hören muss, um sie zu glauben), Kylie Minogue, James Blunt, Scissor Sisters, Rufus Wainwright und Mark Ronson und viele andere geschrieben und produziert. Er fordert sich beständig heraus und sucht neue kreative Vorhaben, eines davon war die Schaffung einer Folk-Oper für Kinder nach Oscar Wildes Kurzgeschichte 'The Selfish Giant', die er seiner verstorbenen Mutter Pat widmete. Die Show wurde 2018 am Vaudeville Theatre im Londoner West End uraufgeführt. 2019 veröffentlichte Guy sein Solo-Klavierdebütalbum 'Go Gentle Into the Light' – eine Sammlung einiger der beliebtesten Songs, die er und Robbie Williams gemeinsam geschrieben haben, wobei die Single 'The Road To Mandalay' über 6 Millionen Streams erreichte. Er produzierte das offizielle BBC-Children-in-Need-Album 'Got it Covered' mit Stars wie Olivia Colman, Jodie Whittaker und Helena Bonham Carter, das Platz 1 der britischen Charts erreichte. Guy und Robbie Williams taten sich mit Chris Heath zusammen, um Musik und Text für die Musical-Adaption der RSC von David Walliams' Bestseller 'The Boy in the Dress' zu komponieren, die mit Fünf-Sterne-Kritiken (The Independent, What's On Stage) am Royal Shakespeare Theatre in Stratford-Upon-Avon Premiere feierte. Guy hat Robbie Williams' jüngstes Nummer-1-Album im Vereinigten Königreich, 'The Christmas Present', produziert und die Single 'Time for Change' mitgeschrieben. Er lebt mit seiner Frau Emma und ihren vier Kindern in Camden und in Sussex, wo er "guten Wein, gutes Essen, Kino und so ziemlich alles Französische" genießt. "Und das Songschreiben, natürlich". read more




